#Well technically I'm not but I'm still functional

[moontyger]

I've been meaning to reply to this for awhile and it's largely because I feel like functionally, the person above who said formality in English is dying is right. I have seen people claim that, for example, using honorifics when translating Japanese is bad translation and you can demonstrate the same thing in English. And I have never agreed. "Formal Japanese is like speaking to your boss" is something that I've heard a lot, but I don't really feel there's a huge difference in language in (US American) English. All right, so you don't say "fuck" or "shit" or that something "sucks." But how do you tell the difference between that and someone who simply doesn't use curse words? You can't. (And except for the times when I worked for medical doctors, I've always called my bosses by their first name and it would have stood out as unusual if I didn't.)

Like those 5 examples of formality levels above? So A is something you'll only see in written English. It's the language of things like wedding invitations, which have retained formal customs that are no longer used in other areas. If someone is actually speaking like that, I'm at a Ren Faire; this is not everyday language. No one speaks to their boss like this and if you did, it would stand out as very odd - so much so that you might even be spoken to about it because it would be assumed it was a deliberate affectation and possibly even mocking. (But if you're trying to represent the speech of a character who speaks archaic Japanese, it would work for that, but obviously that is not the same as merely formal.)

B is something you might hear, but it is still a little unusually stiff. It sounds like the person is uncomfortable more than they're being formal, like they're asking someone out on a first date. (Though I guess 'formal' is maybe meant to be 'I am terrified to speak to this person'? But I never got the impression that that's quite right.) People would notice if someone were speaking like this and probably flag it as a sign of nervousness, maybe social awkwardness if they did it all the time.

And E is just... do real people speak like this? (Also it's complicated, because if they do, I also feel like this language is not just informal, it's gendered male and coded as young, so maybe it's just a bad example because it's folded so many things into it beyond formality.)

As an aside: this is part of why I think kids are often still expected to use titles when adults aren't. Socially, the US is more hierarchical with children and expects formalities from them that are not expected of adults.

This leaves C and D as the quotidian examples. D is less formal, granted, but would I say it to my boss? Sure. (OK, I actually wouldn't, but that's because I've never called a meal "a bite" in my life. But "wanna grab lunch" seems fine. It doesn't strike me as inappropriate.) So I guess I feel like yes, technically all these levels of formality exist, but most of them are not actually used any longer, so if you're using them for translating contemporary people speaking, results may be very "real people don't talk like this."

Now maybe part of this is that I live in a very informal area of the country. Maybe in other regions they really are using B to speak to their boss. But it definitely isn't a universal thing such that I would feel it was something that could be said of "modern English" in general. (Also all the examples above as well as my perspective are very white, which is of course also a complication with modern spoken American English: there are real racial distinctions. So to some extent it is a hard language to generalize.)

Edit to Add: I also want to note here that this really has changed pretty quickly. People in the 1950s and 60s were much more formal than they are now and even somewhat more formal in the 1980s. You could definitely extrapolate something about politics and some people wanting more hierarchy (and freaking out about the lack of it) from a panic about the loss of formality in spoken language.

I'm so fascinated by languages with different levels of formality built in because it immediately introduces such complex social dynamics. The social distance between people is palpable when it's built right into the language, in a way it's not really palpable in English.

So for example. I speak Spanish, and i was taught to address everyone formally unless specifically invited otherwise. People explained to me that "usted" was formal, for use with strangers, bosses, and other people you respect or are distant from, while "tú" is used most often between family and good friends.

That's pretty straightforward, but it gets interesting when you see people using "tú" as a form of address for flirting with strangers, or for picking a fight or intimidating someone. In other languages I've sometimes heard people switch to formal address with partners, friends or family to show when they are upset. That's just so interesting! You're indicating social and emotional space and hierarchy just in the words you choose to address the other person as "you"!!

Not to mention the "what form of address should I use for you...?" conversation which, idk how other people feel about it, but to me it always felt awkward as heck, like a DTR but with someone you're only just becoming comfortable with. "You can use tú with me" always felt... Weirdly intimate? Like, i am comfortable around you, i consider you a friend. Like what a vulnerable thing to say to a person. (That's probably also just a function of how i was strictly told to use formal address when i was learning. Maybe others don't feel so weird about it?)

And if you aren't going to have a conversation about it and you're just going to switch, how do you know when? If you switch too soon it might feel overly familiar and pushy but if you don't switch soon enough you might seem cold??? It's so interesting.

Anyway. As an English-speaking American (even if i can speak a bit of Spanish), i feel like i just don't have a sense for social distance and hierarchy, really, simply because there isn't really language for it in my mother tongue. The fact that others can be keenly aware of that all the time just because they have words to describe it blows my mind!

[iamquiantrelle]

VIRGIN TERRITORY (chapter 3) ────── iamquaintrelle

# pairing: aurelien tchouameni x black oc (☔️✨💕)

# tags: @whoevenisthiz @irishmanwhore @lettersofgold @deonn-jaelle @sucredreamer @leighjadeclimbedmtkilimanjaro @rougereds @f1-football-fiend @judectrl @ayeshami @greyishbach @haartemis @goldenngt @solidbrii @sailurmewn @rainbowsparkelsunshine @lbchi @bbgkoo

# summary: she's been his pa for almost a year and every day is a struggle to function around him, but he'll never see her more than that...will he? and what will happen if he finds out she's also a virgin? masterlist.

Leila isn't trying to make it a whole thing, but that date with William? That man took her to this cute little restaurant tucked away in a corner of Paris where nobody would recognize him, ordered wine that probably cost more than her rent, and spent the whole night actually listening to her talk about her family back in Georgia. Not once did he make her feel like she was just some thick girl he was trying to get with – instead he treated her like she was actually interesting, like her stories about her mama's cooking adventures were the most fascinating thing he'd ever heard.

And when she found out he was half Cameroonian? Maybe Yolanda had a point about her having a type because these West African men were really out here testing her resolve. The way his accent got thicker when he talked about his family, the way he understood exactly what she meant about certain cultural things without her having to explain... it was nice. Really nice.

He didn't try to kiss her at the end of the night, even though she maybe (definitely) wanted him to. Just kissed her hand (which should be corny but somehow wasn't) and said he'd love to do it again soon. She'd gone to bed thinking maybe this could be something.

But then Sunday morning happened and somehow everything else felt small in comparison.

"Avant de commencer l'entraînement," ("Before we start training,") Didier's voice carried across the morning meeting room, "J'ai une annonce à faire." ("I have an announcement to make.")

The room went quiet – well, as quiet as a room full of French footballers can get, which means Marcus was still whispering something to Mike that had them both stifling laughs.

"En l'absence de Kylian," ("In Kylian's absence,") Didier continued, holding up the captain's armband, "nous avons besoin d'un nouveau capitaine." ("we need a new captain.") "Aurélien Tchouaméni."

The room erupted. Leila's never seen someone look so surprised and honored at the same time, like Aurélien couldn't quite believe what was happening.

"Notre nouveau capitaine!" ("Our new captain!") Marcus shouted, starting an impromptu chant.

"MON CAPITAINE!" Jules was the first to reach him, throwing an arm around his shoulders. "Tu l'as mérité, mon frère." ("You earned it, my brother.")

"Finalement, quelqu'un va peut-être réussir à le faire sourire," ("Finally, someone might succeed in making him smile,") Cama teased, doing an exaggerated salute. "Oui, Capitaine!"

The whole team picked up the salute, turning it into this ridiculous ceremony that had even Didier trying not to laugh.

"Je suis honoré," ("I'm honored,") Aurélien finally managed to say, voice thick with emotion as Didier handed him the armband. "Je ne sais pas quoi dire..." ("I don't know what to say...")

"Dis-nous qu'on va défoncer Israël!" ("Tell us we're gonna destroy Israel!") Mike called out.

"Et qu'on peut manger la cuisine de Leila ce soir!" ("And that we can eat Leila's cooking tonight!") Marcus added, which started a whole new round of cheering.

Leila couldn't help but clap and cheer with them all – because this was huge. This was her boss becoming captain of the French national team at twenty-four. This was history.

***************************

The Bridge's studio setup is way more casual than Leila expected, all warm lights and comfy chairs arranged in a circle like it's just bros hanging out – which, technically, it is.

"Ma puce, mon café?" Aurélien calls out as she's setting up his notes, and she pretends not to notice how Sébastien raises his eyebrows at the pet name.

"You have two hands that work perfectly fine," she responds, but she's already heading to get his coffee because she knows exactly how he gets without his caffeine fix before filming. Two sugars, splash of cream – the man drinks coffee like he's trying to hide the fact it's coffee.

"Ah, c'est comme ça maintenant?" ("So that's how it is now?") Jules grins as he walks in, followed by Ousmane and Thomas.

"Elle fait la grève," ("She's on strike,") Ousmane adds with a knowing smile.

"Can y'all not?" Leila mutters, but of course they can't because they live for chaos.

"What’s going on?" Thomas asks, settling into his chair while the makeup artist touches up his face.

"Nothing–" Aurélien starts, but Jules is already diving in.

"She's dating Wilo."

"I am not–"

"Wilo?" Sébastien perks up like he's just been handed gossip gold. "As in Saliba? Mon dieu, this is better than what I planned for the show."

"Speaking of the show," Leila cuts in desperately, "maybe we should focus on your actual topics? Like the Champions League? The national team? Literally anything else?"

"But this is much more interesting," Sébastien grins. "Tell me, how does our new captain feel about his PA dating his teammate?"

"We are NOT discussing my dating life on YouTube," Leila says firmly, handing Aurélien his coffee with maybe a little more force than necessary. Some splashes onto his notes and she automatically reaches to wipe it, just as he does the same. Their hands brush and she pulls back like she's been burned.

"Ooh, as-tu vu ça?" Thomas stage-whispers to Ousmane. "La tension!"

"I'm about to show y'all some tension with these coffee cups," Leila threatens, making them laugh harder.

"Non, non," Ousmane agrees solemnly. "We'll just discuss how our captain gets jealous every time someone looks at his PA. Like yesterday at training when Giroud asked her about American football..."

"I was not jealous," Aurélien protests. "I was concerned about her getting distracted from her duties."

"Her duties of watching you run laps?" Jules asks innocently.

"Her duties of maintaining my schedule–"

"The schedule she has memorized?" Ousmane adds.

"Y'all really want me to poison your dinner tonight, huh?" Leila threatens, but they just laugh harder.

"See? This is why I need my own Leila," Sébastien says. "Where do I find a PA who cooks?"

"You don't," Aurélien's voice carries that edge again. "She's one of a kind."

The room goes quiet for a moment, and Leila busies herself with absolutely nothing important on her tablet.

"Okay!" The producer calls out. "Five minutes! Let's talk about the actual show content?"

"Oui, oui," Sébastien nods, suddenly professional. "First segment about then national team dynamics with our new captain, maybe some stuff about Jules and his fashion sense…."

"Maybe one about a certain PA?" Thomas asks hopefully.

"Including nothing about any PAs," Leila cuts in. "Unless y'all want to explain to Didier why half his starting lineup got food poisoning before a match."

"She wouldn't really..." Thomas starts.

"She absolutely would," Aurélien, Jules, and Ousmane answer in unison.

"Ma puce," Aurélien calls softly, and she looks up to find him watching her with that expression that makes her stomach do stupid things. "My notes?"

She hands them over, careful not to let their fingers brush. "Try not to start any international incidents this time."

"Une fois," ("One time,") he protests. "I say one thing about Premier League defenders..."

"You said they tackle like they learned football from YouTube tutorials," she reminds him.

"Was I wrong though?"

"That's not the point! Twitter was a nightmare for days."

"This is why you're my favorite," he says, and something in his voice makes her look up. "You keep me in line."

"Someone has to," she manages to say, stepping back as the cameras start rolling.

She watches from behind the scenes as they dive into football talk, the banter shifting into serious discussion about tactics and pressure and what it means to wear the captain's armband. Watches how Aurélien leads the conversation with natural grace, how he makes everyone feel heard while still keeping things moving.

"Et maintenant," ("And now,") Sébastien grins near the end, "Les fans veulent savoir - est notre nouveau capitaine single?" ("the fans want to know – is our new captain single")

Leila's head snaps up from her tablet.

"Non," Thomas jumps in before Aurélien can answer. "Son cœur appartient à son P–"

The water bottle that flies across the room and hits Thomas square in the chest is definitely not thrown by Leila.

"Cut!" The producer calls after they wrap the final segment, and Leila releases a breath she didn't know she was holding. They managed to get through the whole episode with only minimal chaos, though Thomas kept trying to sneak in comments about "certain PAs" until she started keeping a steady supply of projectiles within reach.

"That was fun," Sébastien grins, stretching as they all stand. "We should do this again. Maybe next time with Wilo as a guest?"

"Don't you have a dinner to prepare?" Jules asks quickly, shooting her a look that clearly says 'get out while you can'.

"Oui, about that dinner," Thomas perks up. "What exactly are you making?"

"If one more person asks me about dinner," Leila cuts in, gathering her things, "I'm making y'all eat protein shakes instead."

"You wouldn't," Ousmane gasps dramatically.

"Try me."

"Ma puce," Aurélien's voice is softer now that the cameras are off. "Need a ride to the store?"

And that's... new. He hasn't offered to drive her anywhere since The Comment™️.

"I can take her," Jules offers with fake innocence. "Since you probably have captain duties and all."

"I can drive my PA to the store."

"Your PA?" Thomas raises an eyebrow. "Just okay PA or...?"

The second water bottle that hits him is definitely from Aurélien this time.

"I'll wait in the car," he tells her, ignoring the knowing looks from everyone else.

As soon as he's out of earshot, the chaos erupts:

"Girl, if you don't get in that car–" Ousmane starts.

"But what about Wilo?" Thomas asks.

"Capitaine is clearly in his feelings–" Sébastien adds.

"EVERYBODY SHUT UP!" Jules announces. "Let her breathe."

Leila takes a deep breath, gathering her professional dignity around her like armor. "I have a dinner to cook for twenty something grown men who act like children. I don't have time for... whatever this is."

"This," Sébastien gestures vaguely, "is prime content. The captain and his PA?"

"There is no 'captain and his PA'," she insists. "There's just a PA who's about to feed half of the French Football Federation because she makes poor life choices."

"Speaking of poor life choices," Jules grins, "your man's waiting."

"He's not my–"

A horn honks outside. Twice.

"La patience de cet homme," Thomas laughs. "Vraiment incroyable."

"I hate all of you," Leila announces, heading for the door.

"But you'll still feed us?" Ousmane calls after her.

She doesn't dignify that with a response.

The car ride is... weird. Not tense exactly, but full of something she can't name. Aurélien keeps opening his mouth like he wants to say something, then closing it again. She pretends to be very interested in her grocery list.

Two hours and way too many bags later (because apparently she's feeding an army now), they're back at Clairefontaine and the kitchen is already buzzing with energy and she directs her very enthusiastic sous chefs – Michael and Cama, plus some actual kitchen staff who keep looking at her like she's either genius or crazy for attempting this.

"This is not 'season to taste'," she swats Cama's hand away from the seasoning. "This is 'season to kill'."

"But it needs more–"

"If you say 'spice' I'm demoting you to dish duty."

The thing about cooking while Chief Keef is blasting through Clairefontaine's halls is that it really sets a specific type of mood. Leila can hear Marcus and Mike singing "Don't Like" at the top of their lungs, probably driving everyone crazy, but she's too focused on making sure Cama doesn't turn her greens into chemical warfare.

Michael, who’s undoubtedly the sous chef MVP, is quietly following her instructions to the letter. There's something zen about the way he moves through the kitchen, precise and focused like he's preparing for a match instead of helping prep chicken.

"You're good at this," she tells him, and his answering smile is small but genuine.

"My grandmother," he says simply. "She taught me that cooking is meditation."

"YOUR GRANDMOTHER DIDN'T HAVE TO COOK FOR HANGRY FOOTBALLERS!" Marcus's voice carries through the door, followed by the opening beats of "Love Sosa."

"The meditation is about to turn into medication if they don't calm down," Leila mutters, but Michael just laughs softly.

The kitchen staff has gone from skeptical to impressed, watching her coordinate this whole production like she's done it her whole life. Which, honestly, she has – just usually for family reunions, not professional athletes who probably cost more than her entire hometown.

"It's almost ready?" Mike pokes his head in, looking like a hopeful puppy. "Because we're dying out here."

"You've eaten today," she points out. "Multiple times."

"But not your cooking," Marcus appears behind him. "And now the whole place smells like heaven and we're suffering."

"You're not suffering," she rolls her eyes. "You're being dramatic."

"I AM suffering," Mike insists. "Look at me, I'm wasting away."

"You literally had lunch two hours ago."

"That was before we could smell the mac and cheese," Marcus argues. "Now we're starving."

She's about to throw something at them when Michael quietly says, "The chicken's ready for the second batch."

"See?" She points at Michael. "This is why he's my favorite. He actually helps instead of just complaining."

"Favorites?" Marcus clutches his chest. "That's cold, Lei. Ice cold."

"You know what else is getting cold? This food, if y'all don't let me cook in peace."

"But–"

"OUT!"

They retreat, but not before Mike tries one last time to steal a piece of chicken. She catches him with her wooden spoon – years of defending food from hungry cousins have honed her reflexes.

"The quiet ones always got jokes," Cama laughs as Mike runs away clutching his hand dramatically, then yelps when she catches him trying to sneak a taste of the greens. "How do you even see everything?"

"I have eyes in the back of my head," she says seriously. "My mama installed them when I started cooking."

"They're getting restless," Michael notes as another song starts shaking the walls. She's pretty sure she can hear Jules trying to teach Marcus and Mike the words, which is... a choice.

"Let them be restless," she says, putting the finishing touches on the mac and cheese (extra cheese on top because she ain't playing). "Good food takes time."

The kitchen settles into a rhythm after that, just the sounds of cooking and the distant bass of whatever song Marcus and Mike have moved onto now. Even Cama calms down enough to actually be helpful, following her instructions with only minimal attempts at creative seasoning.

"This is nice," Michael says after a while, quiet enough that only she can hear. "Reminds me of home."

"Yeah," she smiles, understanding exactly what he means. There's something about cooking with people who get it, who understand that food is more than just fuel. It's love, it's family, it's...

"FANCULO!"

The Italian curse makes them all jump as Cama nearly drops an entire tray of cornbread.

"What happened?" Leila spins around, heart racing.

"The cornbread!" he looks devastated. "I almost... it almost..."

"But you didn't," she soothes, trying not to laugh at how genuinely distressed he looks. "The cornbread is safe."

"I would've had to leave France," he says seriously. "Change my name. Start a new life."

"Because of cornbread?"

"Have you met my teammates? They would never let me live it down."

He's not wrong. She can already imagine the chaos if anything happened to the cornbread. These grown men really out here ready to riot over some baked goods.

"Speaking of teammates," Michael says casually, too casually, "our captain's been pacing outside the door for the last ten minutes."

"He what?" She turns so fast she almost knocks over the hot sauce.

"Mhm," Michael hums, that knowing look back in his eyes. "Every time someone walks by he pretends he's on his phone."

"That's..." she doesn't even know how to finish that sentence.

"Interesting?" Cama suggests with a grin.

"Complicated," she corrects. "Now focus on not dropping any more cornbread."

"I didn't drop it!" Cama whined.

"Almost dropped it."

"So," Michael says after a moment, quiet enough that only she can hear, "we're really not going to talk about it?"

"About what?"

His knowing look rivals Jules', but he just goes back to prepping chicken.

"Nothing," he says. "Just thinking our new captain might need to work on his game off the field too."

She chooses to ignore that, focusing instead on finishing up everything. The food looks good – really good. Soul food isn't meant to be fancy, but there's something beautiful about it anyway. Something honest.

"Time to feed the children," she announces, and both Michael and Cama snort at her description of their teammates.

"They're going to lose their minds," Cama predicts as they start plating everything.

He's not wrong. She can already hear the excitement building in the cafeteria, the mix of French and English and various other languages all carrying the same message: finally.

"Ready?" Michael asks as they prepare to head out.

She looks at their work – all this food made with love and patience (and only minimal threats of violence).

"Ready."

The whole team is there, plus coaching staff, plus what feels like half the FFF. They've pushed tables together family-style, and someone (probably Marcus) starts a chant of "Speech! Speech!" that gets picked up by everyone else.

"Y'all are doing too much," she laughs, but Michael gently pushes her forward.

"I'll translate," he says, and she sends up a prayer of thanks for this man's whole existence.

"Okay, okay," she holds up her hands and the room quiets down. "Listen. Where I'm from, food is how we show love. It's how we celebrate victories and comfort each other through losses. It's how we welcome family – blood or chosen."

Michael translates as she speaks, his French making her simple words sound almost poetic.

"Today we're celebrating our new captain," she continues, and the cheers that go up nearly shake the windows. Aurélien, sitting at the center of the longest table, ducks his head but she catches his smile. "And tomorrow we're gonna beat Israel's whole ass."

The roar that goes up at that almost drowns out Michael's slightly more diplomatic translation.

"Everything is Halal," she adds, "and yes, there's dessert – banana pudding with vanilla ice cream because I'm not a monster."

She nods to the servers who start bringing out the dishes, and the way these elite athletes' eyes light up at the sight of proper soul food would be funny if it wasn't so endearing.

"Bon appétit, mes amis," she finishes, and immediately gets swept up in a group hug from Marcus and Mike that nearly takes her off her feet.

"An angel," Marcus declares as he squeezes her. "A motherfucking angel."

The room fills with the sound of comfortable chaos that reminds her of Sunday dinners back home. She catches William's eye across the room and he gives her a warm smile that makes her cheeks warm.

But then she feels it – that familiar weight of attention – and finds Aurélien watching her with an expression that makes her breath catch. He's looking like something out of her most inappropriate dreams, and...

"Your plate," Michael appears at her elbow with food he's made up for her. "Can't let the chef go hungry."

She tears her eyes away from Aurélien, forcing herself to focus on her food and not on how their new captain keeps glancing her way like he's trying to solve a puzzle.

For the first few minutes, the cafeteria vibrates of pure, unadulterated appreciation – the kind that makes a cook's heart sing. These professional athletes, who probably have personal chefs on speed dial, are absolutely demolishing their plates. Bradley's over there drowning his chicken in hot sauce like he's trying to prove something, while others are just making these little sounds of joy between bites.

"I'm going to marry you," Brice announces suddenly through a mouthful of mac and cheese, breaking the reverent silence like a hammer through stained glass.

The table erupts in hoots and hollers, and Leila definitely doesn't miss how Aurélien's fork freezes halfway to his mouth.

"It's a joke," Brice adds quickly, though his eyes are twinkling. "But this food? Magnifique."

"You can't just propose like that," Khephren shakes his head with mock solemnity. "There's a process. Parents first."

"Exactly," Ousmane nods with all the wisdom of someone who's been in this position before. "Gotta do it properly."

"And don't forget the bride price," Ibou adds, which sets off a wave of groans like he's just announced extra training.

"They don't do that in America, bro," someone calls out, which starts a whole debate about marriage customs in different countries.

"Speaking of America," Mike cuts through the chaos with surprising grace, "you're from Georgia, right?" At Leila's nod, he continues, "Do you know where your peoples from? Like which country in the motherland?"

"You can't just ask her that," Jules protests.

"Why not?" Mike shrugs, all innocence. "I'm just curious."

"Slavery happened," Michael says quietly, taking a casual sip of water.

"I know that happened," Mike responds, "but you know some Black people in the US do one of those ancestry.com tests. You know, to find their roots."

"I did one," Leila interjects, and suddenly she has the undivided attention of some of the most expensive athletes in Europe, all of them looking at her like she's about to reveal the secret to scoring hat-tricks.

"And?" Marcus prompts, gesturing with a chicken wing that probably violates several of their nutritionist's rules.

"You guys really want to know?"

The chorus of "yes" comes in various accents and volumes, but the enthusiasm is unanimous, and they're ready to put their food on pause – and considering how they've been eating, that's saying something.

Laughing, she pulls up her phone, scrolling through her gallery for that screenshot from her college days. "Okay, this is from my Cultural History & Heritage class, so... I'm 65% Ghanaian..."

The applause that breaks out would make you think someone just scored a World Cup winner. Ousmane's practically glowing with vindication.

"I knew you were Ghanaian! You're feisty," he declares.

"And that forehead," Ibou adds, making her touch it self-consciously.

"What's wrong with my forehead?"

"You got that West African forehead," Marcus explains through a grin. "It's still cute though!" he adds quickly, like he's just remembered his mama raised him right.

She's doing her best impression of a confused goldfish when she continues, "10% Western Bantu Peoples, 14% Beninese." Her eyes flick to Jules, who's wearing the kind of smile that suggests he's already plotting something.

"You and JK are cousins!" Cama announces with the excitement of someone connecting invisible dots. "The family reunion's gonna be lit!"

"9% French Guiana," she pushes on, "8% English, and the rest is Dutch."

The reaction to the English and Dutch parts hits like they've just heard she's part alien. Eyebrows shooting up across the table like they're trying to escape.

"Slavery," Michael says again, and the word lands like a weight, heavy with centuries of history.

"Right, right," comes the collective murmur, before Marcus breaks the moment by declaring he needs thirds "to honor all those ancestors."

"More cornbread, ma puce?"

She turns to find Aurélien holding out the basket, something soft in his expression that makes her heart do stupid things.

"I'm good," she manages to say.

"You sure? You've barely eaten."

"Just happy everyone else is enjoying it."

His response is cut off by Marcus starting a debate about whether Ghana or Benin has better jollof rice, and suddenly the whole table is taking sides in what's apparently a long-standing West African rivalry.

"Ghana obviously has the better jollof," she says quietly, just to watch Aurélien's eyes narrow in betrayal.

"Et tu, ma puce?" He shakes his head like she's personally wounded him. "Non, non. Cameroon's jollof is superior. This is just facts."

"Please," Ousmane cuts in with the confidence of someone about to start a war, "Nigerian jollof clears both. This isn't even a debate."

"Bullshit," Marcus declares. "Ghana invented jollof. You can't beat the original."

"Being first doesn't mean being best," Aurélien argues, and suddenly it's like they're discussing tactical formations instead of rice. "Cameroonians perfected it."

"The delusion," Ousmane sighs dramatically. "This is why you need a Nigerian wife. To show you what real jollof tastes like."

Leila tries not to think too hard about why that comment makes something twist in her chest, but then Aurélien's saying, "I don't need a Nigerian wife when I have–" before cutting himself off abruptly.

The table goes quiet enough to hear a fork drop.

"When you have what?" Jules prompts teasingly.

"When I have... more important things to focus on," Aurélien finishes lamely. "Like tomorrow's match."

"Mhm," Michael hums into his water glass, sharing a look with Jules that speaks volumes.

The conversation shifts to safer topics after that, but Leila can't quite shake the weight of that unfinished sentence. Can't quite ignore how Aurélien keeps sneaking glances at her like he's trying to read something written in a language he doesn't understand, but that's a problem for another day.

Match day arrives bright and crisp, the kind of weather that makes footballers' eyes light up. The usual pre-match routines take on extra weight today – this isn't just any game, it's Aurélien's first as captain, and you can feel it in the air at breakfast. Even Marcus and Mike are quieter than usual, energy focused instead of scattered.

But before they can get to the match, there's the small matter of getting to Budapest. The morning after her soul food extravaganza has these grown men acting like they've discovered the secret to eternal happiness.

"I swear," Marcus is saying as they wait in the private terminal, "I haven't slept that good since I was in the womb."

"That's called the itis," Leila explains, watching their confused faces with amusement. "When good food puts you in a food coma? Yeah that’s what it is."

"Whatever it was, we need it before every match," Mike declares, and several others nod enthusiastically.

"That's too much to ask," Aurélien cuts in, that protective edge creeping into his voice.

"I'll help cook again!" Cama volunteers immediately.

"NO!" comes the unanimous response, making him pout.

"After what you tried to do to those greens?" Michael adds quietly. "I think not."

The conversation halts as they board their plane, and Leila thought she knew what luxury was, but this private Airbus is on another level. It's all cream leather and polished wood, with business class seats that look more like individual living rooms. Each pod has its own entertainment system and enough space to lie flat, making her regular flight experiences look like public transit.

"First time on the team plane?" William's voice is warm as he slides into the seat next to her, flashing that smile that still makes her stomach flip.

"That obvious?"

"You're looking around like you just discovered Narnia."

She catches Aurélien watching them from across the aisle, his jaw doing that thing it does when he's thinking too hard.

"You should come to London after the break," William continues smoothly, either not noticing or choosing to ignore their captain's attention, "There's this amazing Nigerian restaurant I want to show you."

"Oh?" she tries for casual. "Just for the food?"

His smile turns soft. "Among other things."

Someone – definitely Jules – clears their throat loudly, and Leila suddenly finds the safety card fascinating.

"The restaurant's near Emirates," William adds. "I could show you around, catch a match..."

"You trying to convert her to Arsenal?" Bradley calls from behind them. "Nah, she needs to see a PSG match instead."

"Please," Mike scoffs. "Milan is clearly superior."

And just like that, they're all arguing about their clubs like they weren't just praising her cooking five minutes ago.

"Think about it?" William asks quietly while the others debate club merits.

She's about to answer when Aurélien's voice cuts through: "Leila, I need you to review the post-match schedules."

"Now? We just took off."

"Oui. Now."

William just shakes his head but his smile is knowing. "We'll talk later?"

She nods, gathering her tablet and trying not to analyze why their captain suddenly needs to review schedules he definitely already knows by heart.

**********************

The Puskás Aréna is something else entirely when they arrive – all modern glass and steel but somehow still intimidating as hell. Leila's back in her element, running through pre-match routines she's got down to a science by now. Water bottles positioned just so (because Michael swears the angle affects his performance), extra shin guards for Marcus (who she's convinced loses them on purpose at this point just to watch her scramble), and that specific pre-wrap that Mike treats like it's made of gold.

Aurélien's different today – you can see it in how he carries himself, that armband not just a piece of fabric but a crown. He moves through the locker room like he's been doing this his whole life, stopping at each player with exactly what they need: a quiet word with Jules, some complicated handshake with Cama that looks more like interpretive dance, a firm nod to William that carries weight she can't quite read.

The match itself? Pure poetry. Whatever that soul food did to them, it's working overtime because they're moving like they've got cheat codes enabled. Aurélien's commanding the midfield like he was born to it, every tackle clean enough to eat off of, every pass finding feet like he's got GPS in his boots.

Six minutes in and Cama's already making statements, finding the back of the net with the kind of finish that makes you question physics. Before Israel can even process what hit them, Nkunku's doubling the lead in the 26th minute, celebration looking suspiciously like a TikTok dance she's definitely seen Marcus teaching everyone.

Israel manages to pull one back, but these boys aren't about to let their captain's first match be anything less than spectacular. The last five minutes turn into a highlight reel – a goal in the 87th with a strike that probably broke the sound barrier, and then Bradley putting the final nail in the coffin just two minutes later, making it 4-1 with the kind of casual elegance that shouldn't be legal.

The final whistle just confirms what everyone already knew – this French team, with their new captain and apparently their new pre-match soul food ritual, is something special.

4-1. Four different scorers. And one very proud PA trying not to look too obvious about it.

*******************************

The rowdy chaos outside her hotel room tells Leila exactly what's about to go down. Post-match celebration means clubs, means someone's definitely about to drop stupid money on bottles, means Marcus will absolutely end up shirtless at some point, and means these boys are headed out to dance a little and find someone who's down to fuck. Instagram models will materialize like they've got professional athlete radar, the elevators about to get more action than a fashion week runway.

Her mind cannot handle the aura Aurélien has right now especially after winning his first match as captain; she knew what type time he was on and it wasn't going to be anything saintly. He loves a win more than anything and the only other thing that can top that is going out with the boys and bedding some girl.

Thank goodness she never heard him getting busy - that may scar her to the point of needing therapy but she read some things on gossip blogs (she didn't know if it was true or false) and the way they talked about him having humongous dick energy not to mention the stamina—

A knock on her hotel room door pulled her out of her thoughts and she hurriedly fixed her bonnet and glasses before looking at the peep hole and to her surprise it was Jules.

The hell?

"I know you know it's me," he says and Leila let out a groan silently debating on whether or not she should let him in. He knocked again, this time harder.

"Okay, relax." She said then opened the door. Jules eyes scanned over her body.

"That's how you going to the club, Leila? A bonnet and muumuu?"

And she squinted at him like he had three heads. "Huh?"

"You're coming to the club."

"I most certainly am not," she says, already trying to close the door, but Jules is faster, wedging his foot in the way.

"You really gonna let Wilo go to the club without supervision?" he asks with that smirk that means trouble. "When there's gonna be all those Hungarian baddies there?"

"Wilo is a grown man who can do whatever he wants," she says, but something must show in her face because Jules' grin gets wider.

"Mhm. And I'm sure Auré has nothing to do with you hiding in your room?"

"I'm not hiding, I'm being professional."

"Professional?" Jules actually laughs. "Ma puce, you're our age. You think the FFF expects you to sit in your room in a bonnet while we celebrate?"

"The FFF expects me to—"

"To what? Pretend you're not twenty-four? Come on. Get dressed. The car leaves in twenty."

"Jules—"

"Either you come willingly or I'm sending Marcus and Mike to get you. Your choice."

The threat of those two showing up at her door is enough to make her pause. They'd probably live-stream the whole thing, and then she'd have to explain to her mama why she's trending on French Twitter.

"Fine," she sighs. "But I'm not staying long."

"Sure," Jules says in a tone that suggests he doesn't believe her at all. "Wear that black dress you brought."

She narrows her eyes. "How do you know what's in my suitcase?"

"I don't. But you're a Black woman on a work trip – you definitely packed a just-in-case outfit."

"I hate that you know that."

His grin is entirely too satisfied. "Twenty minutes. And Lei?" He pauses at the door. "Aren't you curious what your captain's going to say when he sees you in something other than work clothes?"

Before she can throw something at him, he's gone, his laughter echoing down the hallway.

She looks at her reflection in the hotel mirror, bonnet and all, and lets out a deep sigh.

"Lord," she mutters, already reaching for her suitcase, "give me strength."

Because Jules isn't wrong – she definitely packed that black dress. Just in case.

The black halterneck dress has been sitting in her suitcase like it's been waiting for this moment, all dangerous intentions and "maybe I will act up tonight" energy. She holds it up, already questioning herself because this hem is definitely living its best thigh-high life. But then again, if she's about to get dragged to a club by a bunch of football players, she might as well look like she meant to be there.

The over-the-knee boots are her compromise with herself – wedge heels because she refuses to die tonight trying to channel her inner Instagram baddie in stilettos. Her silk press is still hanging on by a prayer and whatever magic Theresa put in that heat protectant, so at least that's one less thing to worry about.

One last glance in the mirror has her reaching for her silver metallic Diesel mini purse (her one designer splurge that she justified as a "work expense" because technically she does need to look put together around these millionaires).

A knock at the door has her rolling her eyes. "It has not been twenty minutes—" she starts, yanking it open, ready to tell Jules exactly where he can put his timeline.

Except it's not Jules.

William's standing there looking like every bad decision she's ever wanted to make, already dressed for the club in a fitted black Amiri shirt that's doing criminal things to his shoulders.

"Oh," she manages, suddenly very aware that this dress is doing exactly what it was designed to do. William's eyes do a slow sweep from her boots all the way up, and listen – she might need to text Theresa a thank you for this silk press because the way he's looking at her right now?

"Jules said you needed an escort to the club," he says, voice a little rougher than usual. "But I'm thinking maybe we should skip it."

She tries to remember how to form words like a professional. "Skip it?"

"There's this rooftop bar..." he starts, then stops as voices carry down the hallway – she catches Aurélien's distinct tone among them and something in William's expression shifts.

"The rooftop bar?" she prompts, pretending she doesn't hear the footsteps getting closer.

William steps closer, just inside her doorway. "Much quieter than the club. Better view. And we could actually..." he pauses as the voices get louder, "talk."

The way he says 'talk' definitely isn't suggesting conversation about the weather.

But before she can respond, another voice cuts through:

"Ma pu—" Aurélien's voice cuts off abruptly, and Leila watches something complicated pass across his face as he takes in the scene – William in her doorway, her in this dress that's definitely not PA-appropriate, the energy crackling between them that definitely isn't professional.

He's already dressed for the club too, looking like he stepped out of a GQ spread in all black everything, that captain's confidence still radiating off him. For a moment, nobody moves.

"Capitaine," William says easily, not moving from his spot. "We were just discussing alternate plans for tonight."

"Alternate plans?" Jules appears behind Aurélien, taking in the situation with raised eyebrows. "Non, non. The team celebrates together. You know this."

"I was thinking—" William starts, but Aurélien cuts him off.

"The van's leaving. Now." There's something in his voice that doesn't invite argument. "Both of you."

Leila catches Jules hiding a smile behind his hand, and she really might have to fight him later.

"After you," William says to her, finally stepping back, but his hand finds her lower back as they head toward the elevator and she swears she hears something that sounds suspiciously like a growl from behind them.

The rented van's already bumping with French trap music when she climbs in, Marcus and Mike immediately letting out wolf whistles that would absolutely get them slapped by their mamas.

"OH? Okay Lei! I see how you coming tonight!" Cama's eyes go wide. "This is not PA behavior!"

"Nah for real though," Marcus grins, "who told you to show up looking this good? We trying to play it cool tonight!"

"Cool?" Mike winks at her. "Ain't nothing cool about this. Now we know why Jules was so pressed about you coming out."

Bradley's already pouring shots in the back, passing them around like they didn't just play 90 minutes of professional football. "To the baddest in the van!"

"Hold up though," Khephren raises his glass with a smirk. "You really just been hiding all this under them work clothes? That's foul, Lei."

William's hand is still somehow finding reasons to brush against her knee, while Aurélien's watching the whole scene from the front like he's plotting multiple homicides. The bass is hitting hard enough to cover whatever Jules is saying to him, but judging by their captain's face, it's nothing he wants to hear.

"Another round?" Bradley calls out as Gazo's latest hit has everyone trying to rap along.

"No, I’m good. Thanks," she says.

The club is exactly what you'd expect when rolling with the French national team – all VIP treatment and bottle girls already lined up like they got a notification that fine athletes were incoming. Security parts the crowd, leading them straight to the section.

"You good?" William asks as she slides into the booth next to him, his hand finding that spot on her lower back again. Before she can answer, Marcus is already ordering bottles like he's trying to buy out the whole club.

"Dom, Clase Azul, and whatever our PA wants because she blessed us with that soul food!" he shouts over the music.

"And that dress," Mike adds, earning himself a look from Aurélien that could freeze hell.

The first bottle of Dom arrives with sparklers because of course it does – these men don't know how to do anything lowkey. Bradley's already got his phone out, documenting everything for his Close Friends story while Cama starts pouring shots like it's his job.

"To our captain!" Someone calls out, and more bottles appear, more sparklers, more everything.

"And to our angel," Khephren adds with a wink in her direction. "Feeding us like kings!"

She catches Aurélien's expression in the strobe lights, something dark and hungry in his eyes as he watches William lean in to whisper something in her ear. The music's too loud to hear what Jules says to him, but whatever it is makes their captain knock back his entire drink in one go.

"Dance with me," William says as Rema's voice fills the club, and Leila immediately starts shaking her head, pushing her glasses up her nose like they'll shield her from his request.

"Oh no, I don't—"

But then he does that thing with his tongue, running it across his lips in a way that should be illegal, and her brain short-circuits for a second.

"Come on," he grins, already standing and holding out his hand. "One dance."

Before she can protest again, he's leading her down from their VIP section to where the dance floor is pulsing with Afrobeats. She catches Aurélien's expression as they pass – something dangerous flickering in his eyes as he watches William's hand on her waist.

"I really don't dance," she tries one last time, but William's already pulling her closer, moving to the beat like he was born doing this.

"Everyone dances to Afrobeats," he says in her ear, his accent wrapping around the words. "Just feel it."

And maybe it's the shots, or maybe it's the way his hands feel on her hips, but she finds herself starting to move. The rhythm catches her, William's smile grows wider, and suddenly she remembers – she does know how to dance. She just usually doesn't do it in front of half the French national team.

But tonight? Tonight feels different.

The thing about dancing with a professional athlete is that they know exactly how to move. William's got this natural rhythm that makes it easy to follow his lead, his hands steady on her hips as she finds her groove. The beat switches to "Calm Down" and suddenly they're moving like they've been dancing together forever.

"Look who can dance after all," he murmurs in her ear, pulling her a little closer as she rolls her hips. The shots are definitely helping with her confidence, but it's the way he's looking at her that's really doing it – like she's the only girl in this packed club.

She catches glimpses of the other boys joining the dance floor – Marcus already shirtless (called it), Mike with some girl who looks like she models for Fashion Nova, Cama doing some complicated dance routine that has everyone making space. But she keeps feeling that weight of attention from above, knows without looking that Aurélien's watching every move, every time William's hands slide a little lower, every time she moves a little closer.

"You've been holding out on us," he says against her ear. "All this time in training and we never knew you could move like this."

A particularly bold turn has her back pressed fully against him, and oh – apparently footballers really do have incredible stamina because that's definitely not his phone in his pocket. His thumb traces her jawline, tilting her face up to his, and the look in his eyes makes her mouth go dry.

"I think," he says, voice rough in a way that sends heat straight through her, "we should get out of here."

The reasonable part of her brain, the part that remembers she's technically working, tries to speak up. But then his lips brush her ear and that part of her brain short circuits completely.

"I've got a suite," he continues. "Much quieter than here. Better view of the city."

She knows what he's really saying. Knows exactly what that invitation means. Knows that tomorrow she'll either have the best story for Yolanda or the biggest regret of her career.

From somewhere behind them, she hears Mike shout something that sounds suspiciously like "GET IT, LEI!" She's going to have to fight him later.

William's still waiting for an answer, his body moving against hers in a way that's making thinking very difficult. His hand slides up her spine, leaving fire in its wake, and really – what's the worst that could happen?

Besides losing her job, her dignity, and whatever's left of her heart that isn't already tied up in another footballer who thinks she's just okay.

The music shifts to something slower, something that has William pulling her even closer, and she's about to say yes to everything he's suggesting when someone bumps them hard enough to break their bubble.

"Désolé," Aurélien's voice cuts through the music as he moves past them toward the bar, not sounding sorry at all. Bradley is right behind him, shooting them an apologetic look that seems more amused than anything.

But William's not letting this moment slip. His fingers turned her attention back to him like their captain didn't just try to body check them on the dance floor. "So? That view I mentioned..."

Maybe it's the shots. Maybe it's the way he's looking at her. Maybe it's how Aurélien didn't even acknowledge her when he passed. Maybe it's all of it, mixing with the bass and the heat and the way William's fingers are drawing promises on her skin.

"Show me," she says, and his smile turns dangerous in the best way.

He leads her through the crowd, hand firm on her lower back. They pass the VIP section where Mike lets out another wolf whistle (she's definitely fighting him tomorrow), where Marcus is too busy with his own conquest to notice, where Cama's eyes go wide before he bumps Jules' shoulder with a knowing look.

She catches one last glimpse of Aurélien at the bar as they head for the exit, watches him knock back what looks like straight whiskey while Bradley says something in his ear. His eyes meet hers for just a moment, dark and intense and full of something she can't name.

But then William's guiding her toward the door, and she decides that's tomorrow's problem.

Tonight belongs to different choices.

**************************

The Uber ride is charged with enough electricity to power all of Budapest. William's got his hand on her thigh, thumb tracing circles that are making her brain malfunction, and listen – she might need to text God an apology real quick because the thoughts she's having right now are absolutely not church-appropriate.

He's definitely feeling those shots, all loose limbs and heated looks, but she's right there with him – everything's got that soft-focus feeling that makes bad decisions feel like destiny. The way he's looking at her like she's something to be devoured is doing things to her heart rate that can't be healthy.

But underneath all that liquid courage, panic is starting to set in. Because this man definitely thinks he's about to get the kind of experience his usual conquests provide, and she's over here having never gone past first base. Her virgin self is really about to try to play in the Champions League with no practice, and that's not even counting the fact that this man is built like he was carved from marble.

"You're thinking too loud," he murmurs, leaning in close enough that she can smell his cologne mixed with expensive liquor. His lips brush her ear and – oh. OH. Maybe this is how she dies. At least it's a good way to go.

The hotel appears way too quickly and not quick enough. William helps her out of the car like the gentleman he is, but his eyes are pure sin as they head for the elevator.

Her heart's doing double-time now, a mix of want and worry that has her pressing her thighs together. Because she wants this – wants him – but also? She's seen the gossip blogs. She knows what these football players are working with. And her inexperienced self is really about to—

The elevator doors close and William presses the button for his floor, and suddenly everything feels very, very real.

Lord help her.

It took no time before William got her pressed against the mirrored wall, one hand braced beside her head while the other plays with the ends of her hair. They haven't even kissed yet but the anticipation is thick enough to cut.

"You're beautiful," he murmurs, eyes tracking over her face like he's memorizing it. "You know that?"

The elevator dings at his floor and suddenly they're playing this game of trying to walk down the hallway while staying as close as possible. His key card takes three tries to work because he's too busy pressing soft kisses to her temple, her cheek, the corner of her mouth that's trying not to smile too wide.

Then they're through his door and everything shifts. His hands find her waist, pulling her close as he backs her against the door. The first press of his lips against hers is gentle, questioning, like he's asking permission yet when she sighs into it, fingers curling into his shirt, gentle goes out the window.

Listen. LISTEN. William Saliba can KISS. She's got her back against his hotel room door, his hands cupping her face like she's precious while simultaneously trying to steal her soul through her mouth. Everything's hazy with want and Clase Azul when his lips find that spot behind her ear that makes her knees weak. One of his hands slides down to her hip, thumb finding skin where her dress has ridden up, and the noise she makes should be embarrassing but he groans in response like she's driving him crazy.

His mouth is doing ungodly things to her neck, the kind of things that make her understand why people write songs about moments like this, when reality crashes back in.

"Wait," she manages to breathe out. "I should... I need to tell you something."

He pulls back just enough to look at her, eyes dark and intense in a way that makes her forget how to breathe. His thumb traces her bottom lip and for a moment she forgets what she was going to say.

"What's wrong?" His voice is rough in a way that does things to her insides, accent thicker than usual.

They've somehow migrated from the door to the middle of his suite, the city lights of Budapest twinkling behind them through floor-to-ceiling windows. His hands are still on her waist, thumbs drawing circles on her hips that make it hard to think straight.

"I've never..." she starts, then stops, trying to find the words while his mouth is doing devastating things to her collarbone. "I haven't..."

He pulls back again, and this time understanding dawns on his face slowly, his eyes widening. One hand comes up to cup her cheek, and she leans into it despite herself.

"Wait. You're...?"

She nods, warmth rushing to her cheeks that has nothing to do with his kisses or the shots still buzzing through her system.

"But you're twenty-four," he says like he's trying to solve a complicated math problem. His other hand is still on her waist, thumb still moving in those maddening circles. "And you look like... I mean, how has nobody...?"

She shrugs, suddenly finding his gold chain very interesting. "Just never happened. Never felt right with anyone."

His fingers catch her chin, tilting her face back up to his. The heat in his eyes has been replaced by something softer, something that makes her heart do different kinds of flips.

"We can wait," he says, thumbs stroking her cheeks. "Until you're ready. No pressure."

"You sure?"

His answering kiss is gentle now, all sweet promise instead of consuming fire. "Some things are worth waiting for."

They end up on his couch, trading lazy kisses that slowly build and ebb like waves. His hands stay respectfully above clothes even when hers wander a bit (because listen, those footballer abs are a gift and she's only human). They talk about nothing and everything – about growing up in France, about her friends in Georgia, about how nervous she was her first day as a PA.

It's nice. More than nice. The kind of nice that makes her wonder if maybe...

But it's getting late, and her willpower is seriously testing its limits with the way he keeps looking at her like she's something precious. She should go. She needs to go.

"I should head back," she murmurs against his lips.

"Mhm," he agrees, but kisses her again anyway.

Ten minutes and several more "I should really go" kisses later, she finally makes it to his door. He pulls her in for one last kiss that nearly changes her mind about leaving.

"Think about what I said," he says. "About London."

"I will."

She's still floating on cloud nine when she rounds the corner and nearly collides with them – Aurélien and what looks like this evening's conquest. The girl's exactly his type – all curves and confidence, the kind of ass that probably has its own Instagram following. They're wrapped around each other like they can't wait to get behind closed doors, and the sight hits her like a bucket of ice water.

Their eyes meet over the girl's shoulder, and something in his expression makes her stomach drop. She tries to slip past quietly, already planning how many miles she'll need to run tomorrow to forget this moment.

"Good night, Leila."

She freezes mid-step, the sound of her actual name falling from his lips feeling like a slap. Not 'ma puce'. Not his usual pet name that makes her heart flutter. Just Leila.

His hotel room door clicks shut, and she stands there in the hallway like someone just pressed pause on her whole world. In the eight months she's known him, through every up and down, every early morning and late night, every moment of casual intimacy and professional distance, he's never once called her just Leila.

Never once until now, when she's standing in a hallway wearing another man's kisses while he takes another woman to his bed.

The universe really does have a sense of humor.

A cruel one.

………….tbd

[judelijah]

Ancestors' etymology talk

I got a conspiracy theory…

It was supposed to be "ascentors" like how we are a descendants of; descents, or descended = ascent ascended… ye get the idea? But then, a dyslexic bloke misspelled it to the word we use today and since it sounds much better than the half-upper-torso-of-a-man-and-half-bottom-hind-hooves-of-a-donkey-sounding word, (a*s + centaurs, get it? Lmao) we just stuck with "ancestors"

Yep this is my non - neurotypical brain having the time all to himself!

[lucalicatteart]

Poll adventure (paventure? lol) Day 10: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should join the travelers on the larger river boat for a short lunch ...

~

"Before he even fully musters the courage to shout a 'hello', the large group on the boat initiates contact first, gleefully waving at him, whooping and shouting as they near his tiny raft in the water. Apparently, some of them were betting over whether they'd actually find any other travelers out on the river today.. He fumbles over his words a bit, as always, but somehow manages to successfully get himself invited onto their boat for a quick lunch..

After safely securing his raft to the side of the boat with some spare rope, he climbs aboard, stumbling into the excitement of some sort of celebration. A few of them explain that they're traveling for 'kahesallei', an old elven holiday recently re-popularized in some of the larger cities nearby. Whatever it's true meaning and origins used to be, the current significance (at least to those within the city walls) seems to just be mindless feasting, drinking, and gaudy decor. Most of the traveling group are strangers to each other, only brought together by catching a ride on the same tour/party boat, but the mood is light, quite friendly between them, and perhaps a bit drunk.

While the boat itself is relatively plain wood, it's been strewn with gold and orange banners, flags, shimmery tassels, beads, and bushels of dark green ivy braided with fresh herbs and wildflowers. There are flat round tables of food and drink, plenty of cushions to lounge on, and one random guy perched precariously on the edge railing of the boat, gently strumming a lute for background music..

The elderly ship captain hobbles over to The Adventurer, sternly explaining that, no matter what the 'silly' passengers say, he's only allowed to stay for an hour because he didn't pay for a boat ride ticket, and thus really shouldn't even be allowed on board. By the time The Adventurer has mentally processed this information, the captain has already returned to his little steering room, slamming the door shut with a displeased grunt.. It probably wouldn't be a good idea to confront him or question the rules...... But! Hey, at least he has one hour at the party.. How should he spend his time? "

~

Additional Information

the adventurer's current main goal: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[the-busy-ghost]

“Ok so the other bookshelf hasn’t arrived yet but why don’t I start organising my books, it will be a fun activity and useful!”

What nobody tells you about said fun activity is that you have to make Choices about how to organise and it’s all very confusing

[syrinq]

no one tells you this but betterdiscord just uninstalls itself for the lolz every now and then (likely due to discord pushing out some hotfix). so keep that installer .exe thang somewhere accessible, i use it about once a week at least :')

and if you are Sick of NEW! SHOP! RED SHINY FLAIR! shit you can also dive into betterdiscord's css bit. and slam in this beautiful thing https://github.com/CroissantDuNord/discord-adblock (i personally use a different code but it should functionally be the same. gets rid of shop, nitro bits, server boosts, etc. in the entire client. NO MORE SHITTY PROMOTIONS IN PROFILE SETTINGS! WOOHOO)

and if you're even pettier like me & can't deal with the newer font. here's this beautiful thang :) https://github.com/snappycreeper/OldDiscordFont/releases/tag/v1.0.2

We've lost a lot to the onslaught of enshittification but I can think of none more brazen than Discord getting rid of the send button

[hoardlikegoldenirises]

something a little silly (edited to add glasses)

(he's not actually angry at the "drugs" thing, just busy trying not to die)

oh i almost forgot

transcript of my bad handwriting:

Page 1 Panel 1: 2013, 1:38 pm (sfx: DING DING DING)

Panel 2: 9th period, 1:40 pm

Peter's internal thought bubble: "Oh shit my meds"

Panel 3:

Student 1: Hi, Mr. Parker!

Peter: mm-hm

Panel 4:

Student 1: Mr. Parker? Hello?

(Student 2: Huh?)

Panel 5:

Peter: Hm?

Student 1: What are those, tic tacs?

Student 2: No, he's doing drugs!!! (In class!)

Text pointing to Peter's hand holding his pills says "PTSD medication"

Peter: HKFGH (choking noise)

Page 2:

Panel 1:

Student 1: Are you okay?!

(Student 2: oh fuck)

Peter: COUGH COUGH

Panel 2:

(sfx: WHEEZE)

Peter: It's not DRUGS!

Panel 3, Peter cont.: Well, I mean, it is drugs, but it's prescription—it's medication. OK?

[yzzart]

a revelation between songs.

pairing: tom blyth x actress!reader.

summary: you, Tom and Rachel had an idea to create playlists for your characters.

word count: 593!

notes: inspired by an interview where Rachel says that she and Tom created playlists for their characters, and i recommend the song i mentioned because i was listening to it while writing!

"Well, i heard that you created playlists for your respective characters…" — The interviewer, who was incredibly dynamic, commented. — "… and it's true?"

"Oh yeah!" — Rachel responded with an enthusiastic smile and nodding her head, wanting to complement and talk about the topic presented. — "We created our playlist during the first few days of recording, right?" — She asked, resting one of her hands on her chin.

"Right!" — You replied with a complicity smile. — "We were so excited about the idea, that we didn't even wait for the opening day." — And it was a suggestion that brought you all closer together and created in your minds what the characters' musical tastes would be.

And to this day none of you have finished them because every day you add a new song.

"Exactly!" — Rachel concluded. — "I think it's technically impossible to choose one but "Hunter" by Florence + The machine is addictive and very good." — The interviewer nodded in agreement and paid attention to every word.

"One of the first songs i added to my playlist was "Do you love" by machineheart." — You tilted your head to wonder if it was correct. — "Yeah, she was one of the first and she became my favorite." — The interviewer agrees, crossing her legs and eager for an explanation. — "I feel like the lyrics clarify my character's emotions."

"I'm pretty sure i have it on my playlist too." — Tom stuttered thoughtfully and resting his arm on the back of the chair accompanied by a complicity look in his direction. — "Like, seriously." — He laughed.

"Do not tell me!" — You pretended to be surprised and finding the coincidence incredible, and trying, as much as possible and with all your strength, not to laugh at the situation.

Meanwhile, the interviewer found it funny, even without understanding and believing in the possible and concrete coincidence, and Rachel looked at the two of you with her mouth open. — Knowing, deep down, that it was a joke.

"They spent the entire recording session listening to each other's playlists." — She revealed, laughing, putting her hand over her mouth. — "Every time i went to Spotify, with that function to see the songs your friends were listening to, i saw Tom listening to Y/n's playlist and she listening to his playlist."

"No way!" — The interviewer joined.

"I swear!" — Rachel exclaimed; the only thing you did, seeing that you had no way to justify or defend yourself, was to put your hand over your mouth and Tom placed one of his hands on your thigh.

Rachel wasn't lying or exaggerating; since the beginning of the recordings along with the idea of playlists, there was no other playlist, not even the ones you created, that you listened to the most besides Tom's. — There were so many songs with the presence of the small and typical green heart. — At any time, anywhere, you listened to that playlist; like Tom did with you.

Tom would share photos, screenshots with your playlist or any of the songs included in it in the background for you. — Tom even listened to them while driving his motorcycle.

"I strongly consider it a love language." — The British accent echoed confidently throughout the decorated room, his hand was still on your thigh and now making a pleasant caress. — His eyes admired your radiant smile.

You hugged his clothed arm and rested his head, gently and gently, on his shoulder; a wave of comfort and protection entered your belly. — Quickly, Tom rested his head on your.

"Very romantic, very romantic." — You said, laughing softly and with red cheeks, a little embarrassed.

[weirdmarioenemies]

Name: F.L.U.D.D. (Flash Liquidizer Ultra Dousing Device)

Debut: Super Mario Sunshine

F.L.U.D.D. was Mario's first ever Platforming Buddy! Unless you count the Lakitu Bros. from 64, but they just operate the camera and don't affect Mario's platforming moveset, so I do not. So really, F.L.U.D.D. is- hold on, I really don't want to write every individual period each time I write its name. I'm just going to leave all the periods at the end of the post and you can put them where they belong yourself, or anywhere else you think is funny. Or you can keep them, I don't mind. Put them on a bagel and tell a friend they're poppy seeds!

FLUDD is a big deal. A landmark for the series in terms of mechanics. Not that these specific mechanics returned, but the concept of a buddy granting Mario some new abilities has become a recurring thing. FLUDD even talks, and is fully voice acted! In a robot voice! Like mine! A cute and silly little robot buddy for Super Mario.

So then... why don't I absolutely LOVE it? I feel like I should! But I'm just not getting that urge to imagine it driving a kart or playing tennis like I do with far less important characters. Does it work so well as a Tool that I have a hard time viewing it as a Character? Let's See!

I think FLUDD's design is honestly kind of perfect. The two massive screws that evoke eyes are really clever, and especially great is that they give it + shaped "pupils"! Aside from that, the nozzle's funnel shape is an extremely funny shape for a mouth, and FLUDD does indeed speak out of there. Excellent head! Though I feel like the excitement fizzles out once you look past the head, because the rest is much more "equipment" than "character". That's fine, this IS a piece of equipment! It just makes it feel less like a character, when I'd like it to have a bit of a balance of both. Maybe if the handles also functioned as little feet that it could walk around on? I don't know. Maybe that would be stupid... but I do love when creature designs are stupid!

FLUDD was made by E. Gadd, but that's all the backstory we get. We never learn why it was just there on the Delfino Airstrip, and that's really weird! The perfect tool to combat the game's main conflict is just there immediately when Mario arrives. It could have been a cool little mystery, but I guess the reality is just that some Pianta ordered it when the Goop Incident happened and got express delivery. Or maybe someone already had it and was just waiting for a calamity like this to happen, to justify the purchase!

I don't need to go over everything FLUDD does, right? I'm not the Super Mario Wiki, it's not my job! I'm here for the Weird. And a weird thing is that FLUDD freaken dies.

During the final boss against Bowser's Hot Tub, FLUDD starts stuttering, as if breaking down. And then in the final cutscene... it Dies! Mario goes to it, it tells him it hopes it was of assistance, and it dies. And Mario is sad, because this was his friend. But then in the very next scene FLUDD is back! Some Toads fixed it and it's fine now. So this ends up having the emotional impact of Mario needing to change the battery on his TV remote.

Even though it's our and Mario's friend, FLUDD is still an object, a product. It's technically not just FLUDD, but A FLUDD, one of many, mass produced. I have to wonder if it actually formed any bond with Mario, or if it was a one-sided friendship. Is it even capable of friendship...?

Whatever the case, the others absolutely consider FLUDD a friend, and well, that's just so sweet. During the credits we get to see some extremely compressed pictures of Mario and friends enjoying their real vacation, and FLUDD is there with them! It's not even on Mario's back anymore, or always WITH Mario, for that matter. Sometimes it's hanging out with Peach and some Toads, sitting there independently. I think it is safe to say FLUDD is a real true friend, and likes to just Hang Out sometimes! Even better, maybe it wasn't originally sentient, but learned how to love over the course of the adventure. Such a wonderful robot thing to do!

As expected, thinking in depth about FLUDD has absolutely endeared me to it. Hooray! It's about time. Well, it's too late for FLUDD to be relevant again, probably. I'm not saying it should be a driver in Mario Kart, but I AM saying there should be a kart based on it, and I'm also saying that this kart should canonically be the FLUDD, now upgraded. This feels like something that should have happened long ago!

This has been a long post, but it is far from all FLUDD has had to discuss! So next time, I will post about FLUDD once more, and its various appearances during the GameCube days and beyond! There is milk involved at some point. Get excited to learn what milk has to do with any of this!

Here are all those periods you were promised! I hope you like them.

....................................................................................................

[eamour]

the way you manifest.

everybody has a different way of manifesting. some like to script, some like to affirm, and some like to just visualise their desires. however, some methods seem to work for some but don’t really work on others. why is that so?

the law of assumption.

now, the reason behind why everybody seems to have their own way of manifesting or why certain manifestation methods and techniques you cannot seem to be successful with can still ensure other people success is because of the LAW. once again, it's called the law of assumption — and it operates with BELIEF. what you assume or believe to be true, has to be true.

everything is an assumption.

in practice, this means that these methods and techniques seem to "function" well for some because they ASSUME that they will function well for them. on the contrary, the methods and techniques that you believe won’t help you manifest, eventually won’t help you. another example is that you might believe affirming might not work for you but works really good for others. the result: everyone can manifest with the use of affirmations except you.

no preassigned meaning.

it is important to not that with the law, nothing actually is the way it is and nothing is promised to remain the way it is… not unless you say otherwise. in this reality, things aren’t factual, forever or fixed. they don’t have any meaning attached to them. YOU give them meaning first.

the creator's rules.

if you know how the law works, you know that you can use it to your advantage. you can decide how you want to manifest by coming up with your own rules and correctly applying them. you can even influence the way a method or a technique will function for you. and not just methods and techniques! here are some examples for rules you could have:

rule one · i always manifest within 2 days.

rule two · manifesting is easy for me.

rule three · i can manifest even if i feel sad.

loopholes in manifesting.

now, what are loopholes in manifesting? a loophole is an ambiguity or inadequacy in the law or a set of rules, according to its official definition. in more simple words, they are subjective rules you have set up to simplify manifesting. you could almost say they are "cheat codes", coding the way you manifest.

you know, there are rules to manifesting. actually, there is only one: your assumptions create. for an assumption to manifest, you need to believe in it. now, i'm not saying you can’t have doubts, but there has to be at least a little belief in there, somewhere. now, see how i said "somewhere"? what i mean is that somewhere within the process of manifesting, there needs to be BELIEF.

1 · belief in assumption. you can believe in having your desire and manifest it.

2 · belief in method. you can believe that doing a method xyz times makes you manifest your desire.

3 · belief in self. you can believe that you always manifest your desires.

this is why many people who robotically affirm can manifest. they have the assumption that they either don’t need to believe their assumptions to manifest or that simply doing the method guarantees them their desire. other loopholes could be that only desirable thoughts of you manifest or that affirming once is enough for you.

the best way to manifest.

knowing all of this, it is clear to say one thing: there is no best or perfect way to manifest. technically, they are all the same. since manifesting is personal, it is your decision to decide which methods work for you or not, which techniques get you better or quicker results. and remember, all methods and techniques are all equally accessible to you. you don’t have to do anything beforehand. you don’t have to prove yourself to be worthy or deserving for a method to work for you. again, YOU are the creator.

manifesting is personal.

in conclusion, we all manifest similarly but still differently — and that’s alright! each one of us is an individual and the way we apply the law is personal. that being said, feel free to come up with your own rules! make the law work for you the way YOU would like it to and remain faithful to your rules. that way you can make manifesting a lot more easier.

with love, ella.

[dandylovesturtles]

Using a random number generator for the angst prompts: 20 Starved + 30 Dangerous Temperatures

... and Leo, of course.

OH GOD OK

uh so. I had an idea. and I decided to write it for this ask I got forever ago. And then, uh.

it really

really got out of hand.

This is a pretty dark fic (even for me) and at the current moment in time it is hurt/no comfort. I do intend to write a part 2, probably tomorrow, but as of the time I'm typing this author's note I've been writing for around 5+ hours straight and I need to take a break! So please, if you don't want to read all this without the comfort included, feel free to wait for the next part before reading! I'll link it and the end once it's posted.

Content warnings: Kidnapping, confinement, psychological torture, nonconsensual voyeurism (I guess this is the best way to put this; Leo isn't doing anything sexual but it's still violating), mild violence, HEAVY ANGST, Leo just having the shittiest time possible.

I HOPE?? YOU ENJOY??? hahahaha....

btw this is set between S2 and the movie (though tbh its canon compliance is... /waves hand)

-----

When Leo imagined himself getting captured by some kind of shady, quasi-governmental agency intent on imprisoning mutants, it was never anything like this.

When he let his mind go there, he always pictured that he would be strapped to a table. Maybe muzzled. That scientists would stand over him, scalpels and drills in hand, and start to take him apart. That they'd examine him piece by piece, and wouldn't give him any anesthesia while they did it.

But there is no table, no muzzle, no restraints at all. He's just in a room.

Well, a cell, technically - the steel door is locked, and there are no windows, no furniture but a bare cot in one corner and a lone toilet in another. But it doesn't really look like a cell. It looks like a room.

A very, very white room. White walls. White ceiling. White tiles (with white grout, even). The toilet is white, a roll of white toilet paper on the floor next to it. The only things that aren't white are the cot and the door and Leo himself.

They took his gear and his weapons, because of course they did. Since the door is steel, he already knows he's not breaking it down; he gives it a half-hearted slam anyway, just to say he tried. He should be able to just portal out, except he hasn't learned how to use his portals without his swords to channel his ninpo through, and there's nothing in here with him that he can use to make new ones.

So he's stuck. He's going to have to wait until someone opens that door for some reason. Or, of course, until his family swings by to pick him up. Though, if possible, he'd like to escape before that happens. The image in his mind, of sitting outside his cell and grinning at them as they arrive to rescue him, is too cool to pass up.

He's not sure how long it's been already. He knows that they knocked him out after ambushing him, and he doesn't know how long he was unconscious. The heavy molasses feel of his head and arms when he woke up suggests that he was drugged. It's wearing off now, though, which means he has a clear head to take in the all of nothing that's in the room with him.

He sits on the cot he woke up on and waits for something to happen.

There's no way for him to tell time, but he thinks it's an hour or so later when there's a sudden beep, and then the sound of a metal panel sliding up. It's a slot near the door that has just opened - inside the revealed alcove is a bottle of water.

He comes to it curiously, taking a long look around the bottle. The slot doesn't open straight through, and even if it did, it's not big enough for anything more than his arm or a foot to fit through. He thinks it must function like an airlock, or maybe they slid the bottle down from somewhere above - he feels around just in case, and finds that the slot is enclosed on all sides but his. Probably his airlock theory, then.

As soon as he removes the bottle, the panel slams shut again.

"You're really determined to keep me in here, huh?" he says to whatever hidden cameras are watching him. He carries the water bottle back to his cot, but doesn't open it, instead setting it down on the floor by the wall. The paranoid part of his brain, the one that doesn't miss a trick, is reminding him that drinking the water is probably a bad idea. Who knows what they might have put in it?

He sits on the cot for awhile longer. Still, nothing happens.

"I'm getting pretty bored in here," he says for the audience that must be somewhere. "Come on, you have a one of a kind turtle in here, and you don't even want to talk to me?"

Time passes, slow and quiet. Leo goes through periods where his anxiety spikes and he starts to wonder if he's been abandoned by whoever brought him here, before the boredom eventually numbs the anxiety back out. Another bottle of water is eventually delivered, and this one he keeps in his hands after retrieving it. It's completely unlabeled, not even a "Use by" date printed on the bottle itself, so it doesn't provide much mental stimulation. He spins the bottle to make little whirlpools inside, because it's something to do.

He's trying to make the fastest whirlpool he can when he hears a sudden click, different from the beep of the water bottle hole, and he looks up just in time to see a large section of the wall in front of him turn black, and then light up to show the room beyond his cell.

He jolts, setting the bottle aside. He knew they must be watching him, but somehow he didn't catch that part of the wall was a whole window.

His audience isn't very large - five people, unless there are others he can't see. Two wear lab coats, two wear fatigues... but the one who comes to stand directly in front of the window is wearing a black suit, with steel rimmed glasses. He leans forward, and speaks into a small microphone.

"Inmate 24365," says the suited man. "I am Agent Bishop, of the Earth Protection Force. My subordinates tell me that you can speak and understand the English language. Is this correct?"

"Qué?" Leo asks.

Bishop does not look amused. "Inmate 24365," he says, "you have two options. You can cooperate with me, answer my questions, and we will make your stay here more comfortable. Do not cooperate, and we will make your stay uncomfortable. Do you understand?"

Leo pretends to hem and haw over this. "How comfortable are we talkin'?"

"I'm sure you would like some dinner."

"You know, I'm not really hungry." He says it to be difficult, but it's actually true - the uncertainty of the situation has put his stomach in too many knots to want to eat anything. "Maybe if you offer me some comic books? Or a TV?

To Bishop's credit, his face doesn't so much as twitch. He keeps his steely eyes locked on Leo. "Answer our questions, and you will receive food. Do you understand?"

Leo stays noncommittal. "What are the questions?"

He's expecting Bishop to ask about his family. He's not expecting what comes next.

"How many gateways are there between New York City and the hidden yokai enclave?" he asks. "How are these gateways accessed? What kind of defensive capabilities do the yokai have?"

Leo keeps the surprise off his face. Bishop thinks he's a yokai.

This is, overall, a good development. Bishop might not know about Leo's family, then, or at least not know that they live on the surface. This means the Earth Protection Force likely isn't pursuing his brothers, which means they will be safe until they can help Leo get out of here.

He doesn't let the relief show through, either. Bishop doesn't know anything, and now Leo just has to ride out the next few hours until the calvary arrives.

"You know," he says, "I think I'm good with my current levels of comfort."

If Bishop is mad or frustrated or dismayed by this choice, he doesn't show it. His expression stays stony as he stares in at Leo, sizing him up.

"Very well," he says after a few more seconds. "I will see you tomorrow, then."

The window goes dark, and then turns stark white to match the walls. Leo wants to go over and tap at it, see if it feels different when he touches it, but knowing that Bishop is surely still there, watching him, keeps him rooted to the cot.

He goes back to making whirlpools with the bottle. If they aren't going to entertain him, he isn't going to entertain them, either.

-----

Another water bottle comes some time after his talk with Bishop. He finally opens this one and takes a cautious sip. Nothing tastes off or strange, so he drinks more. They don't want to feed him, but they're fine keeping him hydrated. No reason to stay thirsty, then.

He wishes the water calmed the anxiety still roiling in his stomach, but if anything it just makes him feel even more energized. He bounces his foot and surveys his room again, looking for any weak spots or access points. He can't see anything, though, other than the areas where he knows the water bottle hole and window are; even the vents that relentlessly blow cold air into the room are well hidden.

Knowing that there are people standing just outside his cell watching him, like some kind of zoo animal, puts him on edge. The window is so big that he's pretty sure the only blind spots are either directly underneath it or right by the door on the same wall. After debating it, he leaves his cot and sits on the floor underneath the window, surveying the room from a different angle now and still coming up empty. At least they're going to have a harder time staring at him.

His eyes catch on the toilet in the corner, directly across from the window. It's not in the blind spot, and realizing this makes his insides lurch uncomfortably - hopefully he has a chance to bust out before using it becomes necessary.

Though, he's not sure when that chance is going to come. If they have a slot to pass him water, they could use that to pass him food, too, so it's unlikely that anyone is going to open the door unless they need to take him out.

So maybe his fantasy of being outside when his brothers arrive isn't going to happen. Well, that's okay; he'll just be sure to make some other part of their escape totally rad. That will make up for the embarrassment of getting kidnapped a block from Run of the Mill.

(Seriously, some kind of ninja he is, to let a bunch of human soldiers sneak up on him.)

He drains the water bottle, then starts to roll it back and forth across the floor, like a cat batting at a toy. Leo's not sure what's worse right now: the worry or the boredom. There's nothing to look at and no one to talk to, just an empty room with him and his water bottles.

He's too keyed up to sleep, and the fluorescent lights are still on, anyway. He has no way of telling what time it is, so maybe it just isn't that late yet. And even sitting here, in the blind spot, the idea of closing his eyes while people are watching makes unease crawl up his spine. Staying awake is the easy choice. He'll sleep after he's out of here.

So he sits under the window and rolls his bottle back and forth, back and forth, with only the sound of plastic on tile to keep his thoughts company.

-----

The first three water bottles came pretty regularly, but now there is a very long stretch where nothing is delivered. Leo is starting to think maybe it really is night now. They don't turn off the lights in his cell, though, and he has no controls to do it himself. At least it helps with the whole "staying awake" thing.

Just in case they've decided to suspend his water privileges along with the food, he holds off drinking any more for now.

Speaking of food, his appetite has finally decided to return. His stomach starts to growl at him after several hours (he thinks) of sitting in the floor, an annoying emptiness in his stomach. Knowing there's no food accessible just makes the hunger sharper, but he puts it out of his mind the best he can with nothing else to focus on. He can eat once he's free.

Which should be soon. Seriously, his brothers have to be on their way by now, right?

He's pretty sure it's been the better part of a day, if not a whole day, since he was kidnapped. And, okay, he's willing to give them some leeway; it's understandable if they got a late start. He did storm out of the lair after his latest fight with Raph, and no one ever came to check on him when he did that. Understandably, he thinks, because who wants to be around Bad Mood Leo? Not even Leo wants to be around Bad Mood Leo!

But he'd already turned back into Good Mood Leo by the time he left Hueso's, so surely they knew it had been more than enough time. They would have noticed when he didn't come home. They would have realized something happened. They would be looking for him.

And if they're looking for him, they'll find him! Obviously.

His stomach growls again, and Leo leans his head back against the wall behind him. Maybe he shouldn't think of being at Hueso's. Now he just wants pizza. Pepperoni and mushroom, maybe, or Hawaiian. Mix it up a little with the barbeque chicken.

Another growl. He groans out loud.

He stays awake, twisting and crinkling the empty bottle in his hands, until another full one finally arrives.

-----

No chance to escape comes before using the toilet is necessary.

He tried to hold out, he really did, but he ended up drinking more water to stave off the growing hunger, and it's lowkey cold in here, which doesn't help. Still, the issue of the window sends an uneasy shiver up his spine, doubting that any people outside will feel the need to turn away and give him some privacy. Maybe he should have gone while he suspected it was nighttime.

(Maybe he shouldn't assume they ever aren't watching him.)

He stands up and walks over to the cot, giving it a light nudge with his foot. In a stroke of luck, it isn't bolted to the floor, and it's light enough that he can lift it. The black mesh it's made of is tightly woven, enough that not much is visible through it. It will have to do.

He picks it up and drags it over in front of the toilet, propping it up on its legs so it makes a small wall between himself and the window. It's hardly ideal, but the semblance of privacy makes him relax somewhat.

(He can't think about how there are surely cameras in the room watching him from all angles, making his attempt at a barrier moot. He knows better than anyone that sometimes pleasant lies are necessary.)

After he does his business, he leaves the cot propped where it is; it's not like he's sleeping on it. There's no sink for him to wash his hands, but he's never been the strictest about it, anyway (much to Donnie's disgust). He returns to his spot under the window, squeezing the water bottle to the rhythm of the first song that comes to mind.

Only two verses and a bridge later, the window above his head turns black, then goes clear. Thinking that Bishop might have been watching him just now makes a cold, slimy feeling roll down his spine. Creepy!

"Inmate 24365," comes Bishop's voice through the unseen speaker. "Stand."

Leo doesn't. He stays right where he is, under the window.

Bishop waits only a few seconds. Then Leo hears him say, "Temperature down two degrees."

He gets up at that, turning and leaning his arm against the window. It strangely doesn't feel like glass, even though it must be. "It's already cold enough in here," he says. He wonders how they can hear him, when he doesn't see a microphone on his side.

"You were told your conditions would only be made comfortable after you answer our questions," Bishop informs him. "The same as before: how many gateways are there between New York City and the hidden yokai enclave? How are these gateways-"

"How about you answer my questions first," Leo interjects. "You keep calling me "inmate," but I haven't been charged with anything. Pretty sure you can't detain me without cause."

"The EPF is authorized to detain non-human inmates for as long as deemed necessary for the security of the United States," says Bishop smoothly. "Probable cause doctrine does not apply in this case."

"That's gotta be unconstitutional."

"The constitution does not recognize the rights of yokai. You have no right to counsel, no right to a speedy trial, and no right to protections from cruel and unusual punishments." Bishop's stare is colder than the temperature in the room. "But I am not an unfair man. Answer my questions, and I will provide you with food and clothing."

Leo tosses a glance over his shoulder. "How about a private bathroom?"

Bishop's expression stays ever in place, unimpressed and stoic. "Food and clothing," he repeats.

Leo gives his head a shake. "Then nope," he says, popping the "p". "I plead the fifth."

"As I have already explained, the Bill of Rights does not apply to you."

"That's such crap." Leo bangs his fist on the window. "You can't just keep me here forever for no reason!"

"I do have reasons." Bishop leans closer to the window, his eyes narrowing. "Let's try a different question. What is your relation to Baron Draxum?"

The surprise is fast and sharp, but Leo just manages to keep it from showing on his face. "Who?" he asks innocently, even as the panic sets into his chest. If they know about Draxum, what else do they know?

"We know you are acquainted with him," says Bishop. "What is the nature of your relationship?"

Leo knows they aren't bluffing - why would they bring up that very specific name otherwise? There's no lie he can tell that won't reveal something.

So he doesn't say anything. Instead, he turns his back to the window and sits down, staring resolutely at the opposite wall.

Bishop clicks his tongue. "Very well," he says. "I am a patient man. I can wait." Then, more muffled, like he's facing away from the microphone, Leo hears him say, "Temperature down two degrees."

The window goes dark, then turns back to white. Leo doesn't move for a long time.

-----

The third water bottle arrives, so he guesses that's the end of day two.

He's shaking as he gets up to retrieve it, adding it to his growing water bottle hoard. He's gone through three and a half by now, but he's trying not to drink them too fast.

As promised, no food is delivered, and his stomach growls and rumbles in protest. The water helps, but only slightly. He needs to eat.

He also needs to sleep.

The panicked adrenaline spikes that have kept him awake this long are starting to die down, with more and more long stretches of exhaustion between them. The shaking is near constant, bringing with it the weird jittery feeling he gets when his insomnia gets particularly bad.

The window is still unnerving him. The idea of sleeping while they're watching him feels staggeringly unsafe.

But he doesn't think he can hold out now until his family gets here. Sure, they're probably getting close (they have to be getting close), but they're sure taking their sweet time. And he's just so tired.

After a long internal debate, he lays down on the cold tile floor. It's not at all comfortable, but somehow he doubts the cot would be any better. Besides, even if he moves the cot under the window, he thinks it would be easier to see him if he uses it. So on the floor it is.

He presses as close to the wall as he can, curling up into a ball for warmth. He wishes he had a blanket.

He wishes he was home.

He squeezes his eyes shut tight and forces back the sudden wave of overwhelming homesickness. There's no reason to feel this way. It's only been two days! What is he, a baby?

It's fine. It's all fine. They're definitely on his trail now. Raph is leading the team. Donnie is using some kind of invention to blah blah blah nerd stuff. Mikey is razzing his tazz. April is using her investigative journalism skills to find clues.

They're on their way. He just has to hold out a little longer. He can do this.

He sleeps, and in his dreams, something grabs him tight and drags him down and down and down where he can't escape.

-----

The same routine plays out over the next two days.

Leo gets two water bottles delivered, spaced, if he had to guess, about five hours apart. Bishop comes to visit him some time after the second bottle. Leo refuses to answer his questions. Bishop turns the temperature down and then leaves. A few hours later his last water bottle comes. Then nothing for the whole night.

They still don't turn off his lights, but exhaustion is starting to win over the brightness.

More than a few times, Leo tries to summon a portal on his own, without his swords. If his family is going to take their sweet time in coming, he might as well try to help them out. He tries to summon his ninpo (without glowing), tries to feel the tug inside of him that he always does when he teleports, tries to envision the place he wants to go and tunnel through space to get there.

Nothing. Always nothing.

(Donnie can make his constructs independent of his bo staff. Raph can send his projections away from his sai. Mikey's learning to use mystic powers without his nunchucks. So why does Leo need his katana? Why is he the only one this useless?)

It probably doesn't help that he's so damn hungry. It's a constant companion now, a low and hollow ache that chooses inconvenient times to turn into white hot stabs of urgency, into seizing cramps that steal his breath. The water only helps so much - it keeps him alive but doesn't satisfy, doesn't soothe. In some ways it just makes the feeling worse.

And he's always shaking, too, but he doesn't know if that's the hunger or the cold.

Maybe the cold wouldn't bother him so much if it were at least still. But the vents blow fresh air inside relentlessly, and no matter where he goes he can't seem to get out of the direct stream. The cold wind batters his tired body, and there's places his skin is starting to turn dry and flaky. His nose won't stop running, and he's allowed himself a small section of his one roll of toilet paper to blow it, already stiff and congealed and disgusting.

It's miserable.

And there's still nothing to do.

He stacks a pyramid out of his empty water bottles, knocks it down, then stacks it up again. He tries to come up with some new and exciting ways to demolish it, but it's only new and exciting for so long.

He spends a few hours of day three singing karaoke as obnoxiously as possible. He hopes everyone outside enjoys the performance.

He recounts every issue of Jupiter Jim he knows to himself, then the plot of every movie. Then he goes through Lou Jitsu films, then anything else he can think of. That eats up a good chunk of day four.

By the time he gets his first water bottle of day five, he's out of ideas to entertain himself. He's never been good at this. He doesn't know how introverts like Donnie can go multiple days without talking to someone.

But when Bishop comes back with his daily offer of conversation, Leo once again impolitely declines.

-----

Something new happens on night five.

It's been a long time since the last water bottle. Leo has been trying to sleep, but it's not coming easy; he's exhausted, but the floor is so cold and he's so sore from staying on it night after night. Not to mention, his nightmares have been getting worse, and he isn't eager to return to them.

Add on the hunger, and sleep is elusive.

Suddenly, there's the telltale shadow of the window above him turning dark - this time, though, it doesn't light up as much as normal. Confused and curious, Leo sits up and takes a peek.

The room beyond is dim, only the glow of a green EXIT sign and a small desk lamp lighting the space. But it's enough for Leo to see a man standing there, looking inside. It's not Bishop - in fact, he doesn't recognize this person at all. They're wearing fatigues, but it's not anyone he's seen in the room during Bishop's normal interrogations.

The man catches sight of Leo, and the grinning leer on his face makes Leo regret looking.

He beckons for Leo to stand up. Warily, Leo does, unable to help but keep his arms folded tight over his chest. Not for the first time, he wishes he had some clothes - his gear, at the very least. Anything to not feel quite so exposed.

The man reaches down and picks something up, holding it aloft for Leo's inspection. "Want a sandwich?" he asks into the microphone.

The sandwich looks like white bread and bologna. No cheese, no other toppings that Leo can spot. Maybe some mustard, if anything. Overall, the most boring possible sandwich he could have been offered.

Leo's mouth is watering.

He has to swallow hard before answering. He doesn't trust this. Even if his stomach is slamming up and down at the promise of food, food, food.

"I'm not hungry," he lies.

The man laughs. It's not a kind sound. "Sure you ain't," he says. "You spend every night curled up on the floor like the dumb animal you are. Can you even eat this?" He waves the sandwich for emphasis.

Leo doesn't answer. He takes a step back from the window, like that will put any kind of distance between them. Like that will save him.

The man watches him with a sleezy grin. He waves the sandwich again.

"You want this," he says.

Leo shakes his head.

"You really sure?"

Leo shudders. Stands tall. Nods.

The man watches him for a long, long moment. Leo fights the urge to hide.

Finally, with a shrug, the man says, "Suit yourself."

Then he starts eating the sandwich. Right where Leo can watch.

Leo's stomach growls, loud and angry in his ears, and he has to physically hold himself back from crumpling.

After several bites, the man suddenly reaches out and taps the window, indicating the cot stood up in front of the toilet.

"That," he says, giving another tap for emphasis, "doesn't do shit."

Leo wants to crawl out of his own skin.

The need to hide is suddenly too great. He rushes to the cot, grabbing it and dragging it back to the blind spot under the window. He sets it down on all four legs, so it's as close to the floor as possible.

Then he lies down on his belly and wriggles underneath. It's a tight squeeze, and the cot ends up pushed up by his shell, suspended in the air, but he doesn't care.

He curls up in his pleasant lie of privacy and bites his hand to keep from screaming himself hoarse.

After an eternity, the window above him turns white again. It doesn't matter. Leo knows he's still there. Still watching.

-----

"You look tired," Bishop greets him. Leo answers with a dead-eyed stare.

"I keep telling you, if you want your conditions to improve, all you have to do is answer my questions."

Leo says nothing. He just stares, arms wrapped tight around himself to try and keep his body heat in.

"How many gateways are there between New York City and the hidden yokai enclave? How are these gateways accessed?"

For a moment, Leo considers just... telling him.

His family doesn't live in the Hidden City. The yokai have never exactly greeted them with open arms. What does he care if these military guys go after them? At least then, maybe he can finally eat something.

That's not what a hero does, Leo! echoes Mind Raph disapprovingly. Innocent people will get hurt!

Right. He's a hero. And heroes don't give into the demands of shitty guys like Bishop.

Leo swallows hard. "No comment."

Bishop's face changes ever so slightly: his brow creases. Leo wonders if that's good or bad for him.

"You understand that Baron Draxum is a known threat, don't you?" he asks. "We are aware of his plans to commit mass murder on the human population. We also know that he has been dormant for some time, and we need information on what he is planning."

Leo thinks of Barry's ambitions to be recognized as the best lunchperson in all of America and can't help but laugh. It comes out cracked and wheezing.

Bishop's furrow gets deeper. "Do you think this is funny?"

"Little bit," says Leo.

Bishop has a chasm to rival Raph's now. Leo knows he shouldn't, but he grins. It's his one moment of triumph - only he can be this aggravating.

And then Bishop says, "Temperature down seven degrees," and that wipes the smile right off Leo's face.

-----

The plastic of the water bottles is soft and pliable and feels weirdly good under Leo's teeth.

He chews the top of the bottle, gnawing at it until it's completely flattened out, pockmarked with little tiny indents from his incisors. It's not eating - it won't fill his belly or ease the persistent hunger pains. But something about the motion is soothing. The place-bo effect.

Pla-ce-bo, corrects Donnie's voice in his mind, sounding testy.

Where are you? Leo thinks back.

There's no answer.

He's gnawed his way through four water bottles. There's eighteen in total now, two and a half still full of water. He thought about using one to wash up a bit, but decided against it in the end. He knows he stinks, but the last thing he wants right now is to be wet. Not when he's starting to see his breath.

Oh well. It's not like he has anywhere to be.

He turns his attentions to the lids next. These are harder and thus tougher to chew. Still, if Leo uses his molars, he can eventually crack the lip, and then bend the plastic in and in, chewing until he ends up with a flat disc.

It's just small enough that Leo could swallow it, if he wanted to.

He thinks he remembers watching some kind of wildlife documentary. Or maybe he didn't watch it himself, but Mikey told him about it. Or maybe April? He doesn't know. His thoughts swim in and out and get lost on the way.

Point is. Sea turtles in the wild die all the time because of plastic in the water. They cut open their stomachs and find trash inside.

Well, Leo is a turtle in captivity. Maybe that means he's immune. Maybe he could swallow this plastic lid, and then he'd finally feel full and the pain pain pain of his empty stomach would go away.

He does not swallow the plastic lid. But it's more tempting than he'd like to admit.

It's going to be okay. When his family gets him out of here, they'll have a big pizza to celebrate. Maybe he can even talk them into letting him have the last slice.

It has to be any moment now, right? It's been a week. They have to be closing in. Any moment now, the door will open, and there they'll be to take him home.

The air conditioning blows relentlessly against his skin. He sneezes, then rubs the snot on his arm. He's given up on the tissue paper.

It'll be over soon. It has to be. Just hang in there, Leon, just a little longer.

He picks up another bottle and starts chewing.

-----

He's playing a mindless little game with his flattened bottle lids the next time Bishop comes.

"I'm surprised you still have any energy at all," says Bishop, and Leo wants to punch him.

(Really, he wants to do more than that. But those kinds of thoughts always make him feel weird and bad, so he pushes them away.)

"You should have learned by now," he says, pushing to his feet and trying not to show how badly he's trembling, "you can't keep me down."

"This is all unnecessary," says Bishop. "I'll feed you as soon as you answer my questions."

Leo barks out a laugh. "Sure you will."

"I will," says Bishop. He turns and says over his shoulder, "Bring it here."

One of the men in fatigues steps forward and hands a tray with a covered plate over to Bishop. Bishop uncovers the tray and holds it where Leo can see.

Baked chicken, broccoli with cheese, mashed potatoes.

Leo's stomach twists and cramps so painfully he has to bend at the hips and clutch his midriff.

"This is yours, as soon as you answer my questions."

Leo pointedly keeps from looking at the food. He shakes his head. He can't. He can't.

"Such persistence." Bishop's voice is scolding now. "You understand that you are a known accomplice to a terrorist, don't you? But if you become a cooperating witness, you will be granted some leniency."

Leo barks a laugh, lifting his eyes to look at Bishop's face, and pointedly not the food. "What's the point?" he asks. "If I'm not... protected by the constitution, or whatever. Are you going to let me go?"

"No," says Bishop. "But as I have told you, your conditions will become more comfortable." He waves the tray of food.

Leo stares at him, before a manic smile splits his face.

"You... stupid bastard. I can't even answer your questions." He slams a shaking hand against his plastron. "I'm not even a yokai! Do you get that? I'm not a yokai!"

Bishop looks skeptical. "Obviously you are."

"I'm not!" Leo rages. "I'm a mutant! I'm from New York! I don't even live in the Hidden City!"

Bishop's eyes flash. "I see," he says, "so you do know of it."

Leo falters, his body going slack.

What an obvious, stupid mistake.

(Some face-man he is.)

It takes Leo a long moment to answer. Bishop stays right where he is, holding the food so tantalizingly close and yet still out of reach.

"...I don't know about the gateways," he says finally. "I don't know about their defensive capabilities. I don't know what Baron Draxum is planning."

"Your lies are obvious," says Bishop. "You really don't want this? It's your last chance today."

Leo stares at the food. His mouth is watering so hard it might start to drip. Would it really be so bad to answer? They don't live in the Hidden City. And Draxum dropped him off a roof.

Draxum is trying to change, says Mind Raph. You see what these guys are like. You can't turn the yokai over to them. They'll hurt them!

What about me? he asks. Is it okay if I get hurt?

You're a hero, Leo, says Mind Raph. You can deal with it for a little longer. It's just a room. Just a little cold. Just some hunger.

He's a hero. He can deal with it. He can. He can.

He'll make them proud. Show them they can trust him.

It takes everything he has, but he shakes his head.

Bishop tuts. Then he throws the entire plate in the trash.

"Tomorrow, then," he says. Then the window is gone.

Leo collapses on his cot and tries not to cry.

-----

After his third water bottle on day eight, one of the fluorescent lights over his head flickers and then dies out.

It's not surprising, since they keep them running twenty-four seven. The blessedly dimmed lighting is actually nice, for once. Leo thinks maybe he could get some sleep, if the gnawing hunger and the constant shivers don't keep him awake.

He's just closed his eyes and snuggled up under his cot when it occurs to him: they may come in to fix it. If keeping the lights on day and night is part of their plan to torture him, to keep him exhausted and anxious and on edge, then they have to.

Which means his chance is finally here.

He has to be careful about this. He has to be ready to move, but he can't let them know he's ready to move. He has to let them think he's too weak, too exhausted, to make an escape attempt.

(He can't let himself think that, though. He can't give up before he tries.)

So he stays under his cot, but subtly shifts it so it won't restrict his movement. He has to be ready to burst out as soon as he gets a chance. Get past whoever comes in, then get out the door. It's after the last water bottle, so it's nighttime. There will be fewer people. He can do this. He can do this.

Find his swords. Make a portal. Get out.

Just as he was thinking, after a long time has passed, there is a loud warning beep, different from the water bottle beep. An automated voice says from somewhere unseen, "Inmates clear the door. Security personnel entering. Stay still and you will not be harmed."

Then the door slides open, and someone comes in.

It's a man wearing fatigues. Leo thinks this is the one who "offered" him a sandwich the other day. He's holding some kind of gun with a long barrel. He does a sweep of the room with his eyes, coming to rest on Leo under his cot. He gives Leo the same leering grin, and waves the barrel of the gun in his direction.

"Now you behave, and we'll get along just fine," he says.

He steps to the side, and another man enters, this one wearing the kind of jumpsuit Leo sees janitors in on TV. He's carrying a stepladder in one hand and a long tube in the other. Is that what fluorescent lights look like? Leo didn't know.

The man walks to the middle of the room and sets up his stepladder. Then he walks up and pulls off the light casing. When he unhooks the old bulb, it causes the other bulb to flicker, just for a few moments.

Leo explodes out from under the cot, grabbing the man in fatigues by the legs and yanking as hard as he can. The man yelps in surprise, and Leo hears the sound of the gun going off in a random direction. The janitor shouts and drops the light bulb - the sound of shattering glass joins the cacophony.

Leo jumps to his feet and runs out the door they had been too stupid to close, sprinting toward the EXIT sign. He's exhausted and shaky but he's coursing with adrenaline, and he leans on it hard to keep him moving. Don't stop, don't stop, get out of here. He'll figure out what to do next once he's free.

Past the exit sign there's a large open room with desks and computer monitors. Most of them are off, but one lingering woman in a lab coat, seated at her desk, screams when she sees Leo dash through the middle of the office space.

"Security!" she screams into a device on her chest. "Inmate is escaping! Inmate is escaping!"

Leo doesn't have time to shut her up, he just keeps moving. He pushes through the next door and arrives in a hallway; he only has time to glance one way and then the other before scrambling to the left, hoping it was a good choice.

He rounds a corner and sees another green EXIT sign up ahead. It's not where he meant to go - he meant to find where they're keeping his swords first. But he hears shouting behind him and doesn't stop. Fine, so no portals - he'll figure out something else once he's away from here.

He throws himself forward into the exit door, which leads him into yet another hallway. Another long sprint, with shouting and slamming doors at his heels, and then finally, finally, a third EXIT sign, and he crashes outside.

Where there's snow on the ground, snow on the trees.

It steals his breath away. There shouldn't be snow. It's May.

Where is he?

He takes a breath of air so cold it seizes his lungs, then takes a step forward. He'll worry about that-

BANG!

A piercing pain in his shoulder nearly sends him toppling over. Leo shouts, grasping for the wound and feeling something sticking out of his skin. He grabs it and yanks, pulling it free.

It's a dart.

Damn it, he thinks, before his vision goes woozy, and he collapses into the snow.

-----

"Are you proud of your little escape attempt?" comes Bishop's voice.

Leo looks up from his cot. Bishop has to get so close to the window to see him that his nose is pressed flat against it. It should be hilarious, but Leo doesn't really have the energy to laugh. Or to do much of anything.

He's hungry. He's tired. He's cold. He's still sluggish from the drugs.

And they threw away all his water bottles. Fuckers.

Leo rolls over on the cot and covers his ears.

"What a childish response," says Bishop, and that's funny, too, because Leo literally is a child. Or a teenager, anyway. He doesn't feel like it will help him much to point that out, though.

"All you have to do is answer my questions, and all this will be fixed."

That's the funniest thing of all. The idea that he spills his guts and Bishop treats him to a five course meal to make up for all the pain up till now. Hilarious.

He says nothing.

Bishop sighs.

"You are likely still affected by the tranquilizing agent. I'll return tomorrow."

Before he leaves, he says, "Temperature down five degrees."

-----

The same man is back that night. He opens the window and looks down at Leo with the same leering smile. Leo can't even take satisfaction in the bandage on the side of his head.

"Neat little trick you had yesterday," he says. "Almost got me fired."

Leo wishes it had gotten him fired. But he clearly has no luck in this situation.

"You know, I respect the attempt. And you probably would have gotten farther with a little food in your belly." The man reaches down, then retrieves a sandwich, as mouth-wateringly unappetizing as the last time. "You sure you don't want this?"

And Leo knows he shouldn't trust this guy. Leo knows he should say no.

But he's just...

so...

hungry.

So he gets up. And he turns to the window. On shaking limbs that can barely hold him upright anymore. With a body that is laced with pain and aches and cramps.

And he nods.

The man's smile gets wider. "What do you say?" he asks, in the sing-song tone of a parent scolding a child.

It makes a sick nausea rise in Leo's throat. But he wants the sandwich.

"Please," he gasps out.

"Mmm... not good enough." The man waves the sandwich. "You want this? You beg for it."

Leo stares, eyes wide. But the sandwich... the sandwich...

He gets down on his knees. Feels a searing flush of humiliation. His stomach is rolling and gurgling and cramping with pain, a hollow, empty chasm inside him desperate to be filled.

He lowers his head.

"Please," he says. "I... I want the sandwich. I'm... begging you, please."

The man laughs, loud and long. When Leo finally finds it in him to raise his eyes, the sandwich is already half eaten.

"Hey, good job," says the man, licking a bit of mustard off his thumb. "That was real convincin'."

And then he takes another bite.

Just like that, Leo forgets about the pain, the aches, the cold, the hunger. All that's left is pure, white hot, screaming rage.

Leo lunges at the window and slams his fist into it so hard it cracks. Not enough to break the glass. Not enough to free him. But enough that the man startles and steps back.

And Leo starts to laugh. High and manic and unhinged even to his own ears.

"I'll kill you," he says, and his voice sounds almost joking, and yet- "I'll kill you. You're dead. You're dead, as soon as I get out of here, you're dead, I'll kill you, I'LL KILL YOU!"

The man has dropped the rest of his sandwich. He fumbles for his gun, left somewhere on a table to the side. For one satisfying moment, Leo sees a flash of genuine fear on the man's face.

"Shit," he says, his voice far away the further he gets from the microphone. "Pretty scary, frogboy."

Then he slams a button, and the window goes black, and Leo gets a glimpse of his own reflection.

His face is gaunt and drawn. His eyes are ringed by deep circles, so dark they look like bruises. His body is shaking like a leaf.

And his stripes...

His stripes are lit up like when he uses his ninpo, but they aren't their usual Neon Leon bright.

They're almost black.

Leo gasps and stumbles back just as the window goes white. The full body quakes he feels now aren't from the cold or the hunger or the exhaustion.

He turns and sinks onto the cot. Puts his face in his hands and tries to breathe. Tries to will his ninpo to stop rolling and snapping and to go back to normal.

This isn't what he wants. This isn't him.

This place is breaking him. He's letting it break him.

He pulls his legs up onto the cot and buries his face in his knees. Wraps his arms around them and rocks gently, the way Donnie used to do when things got overwhelming. Maybe he understands that better, now.

This isn't him. He's Leonardo, Neon Leon, the face-man, the jokester! The one who's always ready with a quip and a laugh. The one who can do anything!

Except portal out of his room. Except escape from this building. Except resist begging for a sandwich like he's a dog.

Leo's breath hitches, and for once he doesn't stop himself. He knows the guy outside is probably watching. He knows there are cameras recording this. He hates giving them the satisfaction.

But he's tired, and hungry, and he...

He wants to go home.

He cries, silently, until he's completely rung out.

-----

Maybe they aren't coming.

That's the thought that pops into his head, just a bit after the first water bottle of the day.

He knew they would have gotten a late start, because he stormed out. And he knew it would take them awhile to figure out who took him - he hadn't heard of the EPF before, so why would they? And he knew it would take them time to figure out where he had been taken, which must have been pretty far out if it's snowing outside. But the EPF got him here within a night, he's pretty sure, so unless they have a super fast jet, he must still be on the continent somewhere.

So... so surely they must have figured it out by now, right? Raph is leading the team. Donnie is doing science things. Mikey is razzing his tazz. April is using her investigative skills.

Unless they aren't coming.

Maybe... maybe it's true. Why would they want him back, after all? Leo took Raph's leader position, and since then all he'd managed to do was piss Raph off. Mikey and Donnie hadn't been happy about it, either, and he'd noticed that they'd been avoiding him more and more. April claimed she wasn't taking sides, but she always seemed to be on Raph's anyway. And Dad... well, he was probably disappointed that he made Leo leader only for him to do nothing and then get himself kidnapped.

He doesn't bring anything to the team. He doesn't bring anything to the family. And no one likes his jokes.

So. Maybe they just... aren't looking. Maybe they aren't going to come.

Maybe he's held out this long for no reason. Maybe he's been cold and starving for no reason at all.

Maybe it's time to give up.

---

Don't give up, says a new voice in his head.

You are not alone.

-----

He has no energy left to stand when Bishop comes. The man looks down at him, lips pressed into a thin line.

"You don't look well," he observes.

No shit, Leo wants to say.

"This has gone on long enough. Answer my questions, and we will provide you with food, clothing, and medical care."

The list is getting longer. Leo's fuzzy eyes stare up at Bishop. Medical care. Does he need that?

"You already know what I want to know." Bishop has a furrow between his eyebrows now. "Will you talk to me?"

He could. He could do it. He could finally have some relief from all the pain. All the hunger. All the cold.

But they might hurt the yokai in the Hidden City.

They might hurt Draxum.

They might hurt his family.

And maybe, if nothing else... if Leo could just keep his mouth shut, just this once...

Maybe that would finally make Raph, Dad, and everyone proud of him.

Maybe they'd finally trust him.

Maybe, at least, he can have that much.

Leo shakes his head.

Bishop scowls.

"Temperature down ten degrees."

-----

Leo isn't shivering anymore. That's probably a bad sign.

He can still see his breath, each time he exhales. It rises like smoke, before disappearing into the air.

He doesn't have any energy left, not even to chew on his new water bottles. He hasn't even collected the last two, and they sit crowded together in the slot, untouched.

He kind of wishes they had just dissected him from the beginning. It would have been faster. Freezing to death, he's decided, is a real zero out of ten. Starving to death isn't any better. No stars.

Even though the damn lights are still on, he feels extremely sleepy. It's probably the cold. He wonders what will happen if he brumates. He's never done it before, not like his little cousins, and he has no idea if it's even safe.

Probably not, given he has no calorie reserves left. All it means is he won't be drinking water, either.

But he's so sleepy.

It's going to be time soon for Bishop to come back. Leo doesn't know what the point is anymore. Maybe he'll just sleep through it. Yeah, that would really make him mad. And making Bishop mad is all he has at this point.

And he'll get to sleep. It's a win-win.

So thinking, Leo rolls himself over onto his belly. Then, one by one, he pulls his limbs into his shell.

He doesn't do this much anymore, not since he started growing. His body just doesn't seem to fit his shell like it should - a side effect of the mutation, probably. It's not really comfortable to be inside for long.

But Leo is sleepy. And his shell feels like the best place to be.

So he pulls in his legs, then his arms, and then, finally, his head.

It's not any warmer in here. But at least it's dark.

At least he's not shivering.

Leo sighs, content, and closes his eyes, and drifts to sleep.

-----

(Outside his cell, there's a bang, and shouting, and a gunshot.

The sound is muffled, and Leo sleeps on.)

-----

Part 1 (here) | Part 2 | Part 3 | Part 4 Part A |

[wings-of-ink]

Chapter 5 is finally here!

Tumblr crew, please let me know right away if you see any issues with running the game. I *think* I fixed the issue with fonts not changing but I did the upload a different way so I'm paranoid. It works for me though.

This was a big one – do not anticipate your saves working. Such is the nature of a work-in-progress. Some of the code for early chapters had to change. I do apologize, I know it's a lot of content to click through.

I hope you enjoy it, and please let me know if you find any serious problems/errors – especially ones that break the game. I have tested it myself a few times, but I can only do so much on my own. I will be watching Tumblr closely for a bit, so if there are any urgent issues you can pop them into my ask-inbox.

This chapter was written using a different method. Mostly, it worked out for me and helped me find more typos and grammar issues, but I found more programming errors than normal. My hope is that all the major ones have been resolved. A game-breaking issue was found just this morning and took a few hours to resolve (it was a mess so I redid the entire section - peeps, if you see issues in the moment with Zahn let me know because they were my troublemaker, go figure).

A couple of new trigger warnings were added as well, so be sure to peruse the list if you may have areas of sensitivity. In the future, a couple of areas of this chapter may receive options to bypass segments with certain difficult content, so be advised that these do not have a skip function enabled currently.

Coming in the future…

Lunan is taking a break through the end of the year! I will still be monitoring Tumblr, answering questions, and resolving any technical issues of course. But I will not be writing chapter content. Some short extras may be posted in the meantime to Tumblr.

Each chapter will get a passage-by-passage check for typos and grammar issues before the release of Chapter 6.

A chapter skip function will be arranged so you can bypass content you've already read. This will likely be implemented before or with Chapter 6.

The release time for Chapter 6 is currently unknown but estimated for late Spring of 2025 (March-May *ish).

The Patreon will likely start up in January 2025 and will focus on early releases of new content and extras/POVs (including the spicy kind).

Thank you so much for sticking with me. I hope you enjoy this chapter and have fun with it!

~Lunan ^_^

PS: Also let me know if you find weird stuff in there that might be from testing, lol. I think I deleted all that stuff, but I am more than a little bit frazzled today and there is a real possibility that I left some garbage behind...

Itch.io Link:

[eggsistential-breakdown]

Team Tulpar!!!!!

Highly self indulgent silly Mouthwashing Superhero AU

Led by the esteemed Captain Cosmos, superhero conglomerate Pony Express's Team Tulpar's latest mission is to guard a top-secret mega-important warehouse in the deep recesses of space against raiders and ne'er-do-wells for one year, until Pony Express's client can install a more permanent solution.

Unfortunately, a mysterious accident destroys their only way home and grievously injures their captain. Team Tuplar finds themselves stranded on a faraway asteroid, with only battered pieces of their ship and their all-important super-forbidden warehouse charge to sustain them.

God is not watching.

Notes below the cut, not set in stone:

Pony Express

Known for its cheap and widely available distribution of superhero teams

Common option for emergency time-sensitive threats to capital or goods

Less common option for actual life-threatening emergencies

Superhero teams function pretty much just as security details for hire

Allows a little more individualization than canon Pony Express because of superhero branding

Hence the slightly personalized horseshoe logos and outfits (also for fun)

Going under because of the widespread adoption of automated comprehensive security systems

Dragonbreath's security system just broke down and they're hiring Team Tulpar to safeguard their wares until the Earth shipment of replacement and upgraded parts can arrive in one year

Curly

Gave him a bunch of powers that would be cool in space but ultimately useless against the crash

Edna Mode disapproves of capes for being impractical and dangerous so he's getting one

Debated briefly keeping Curly as his name because it's technically space related but I think it would be a bit too morbid to use as a space related superhero name in universe

Insists his team calls him Curly even on missions

Dissatisfied with his role as a glorified mall cop

Anya

Legally, spacefaring superhero teams need a healer

Legally, Anya cannot be classified as a healer

Pony Express was pretty much the only superhero company willing to take her

Still studying for med school

Her healing powers boil down to keeping you from getting worse and offloading stress on your body in hopes that it can heal you

As long as she's around things at least won't get worse :)

Which is how she's able to keep Curly alive after the incident

May or may not be using her powers to stall her own pregnancy

Definitely the glue holding everything together in canon so wanted to emphasize her importance in keeping everything from going to shit

I'm the iffiest on her superhero name ngl

She can call herself a doctor she deserves it

Tried to throw stripes in her design to reference her canon turtleneck

Daisuke

Useless ray of goddamn sunshine

Basically a very bright flashlight

If he focuses very hard he can create lasers

Can cast movies for entertainment but only as well as he can remember/imagine them

First in his family to have powers, parents pressured him to join a superhero team

Parents also got him a slightly fancier uniform hence the golden accents

Couldn't imagine him without the shirt so he's keeping the shirt

Incorporated a little Swansea yellow

Also wanted him to have a visor to be cool he gets a visor

Swansea

Assigned mentor to Daisuke

Registered his name back in college. Claims it's too much of a hassle to change it now

Keeps shields/helmet/armor? up for the entire time from when the crash happened to when Daisuke dies

He shows the most arm in canon so you bet your ass he's showing the most arm here as well

My friends suggested this name

Wanted him to still get to wield a big-ass axe

Jingleballs

Crashed the ship into the warehouse with Curly in it while Anya, Swansea, and Daisuke were double-checking the warehouse

Wearing a little half cape in part to mimic Curly, in part to try and give him a similar silhouette as his canon short sleeves

Powers pretty much just hurting people and taking from them

When strealing powers, can only use them at 20-40% of the capacity of the power's true owner

"Borrowed" Curly's powers a lot when they were younger under the pretense of Curly should experience gravity for uhh reasons

Had the phrase "there's something 'off' about this guy" when creating his name, also kind of a play on "first 'off'icer", also turning other powers off

Wears the mask and hood up when he wants to obscure his face. Usually happens outside of missions

Misc

Warehouse sits on an asteroid because it's cheap

The crash happens right after a raid, Jimmy accuses Curly of collaborating with raiders

A little less certain that no one will find them, but the crash destroys the location beacon of the warehouse and knocks the asteroid slightly off course

Team Tulpar's ship is a lot smaller, there's no cargo hold

It's also currently partially wedged inside the warehouse and stuck in place with sealing foam

Space is essentially split between the ship with food/medical supplies and the warehouse (mouthwash)

Less of a clear division of roles other than Anya as healer and Curly as leader

I like color coding characters

Had this rattling around in my head for five days please take this

[lolxdswag123]

Aftermath of a Mission

Peter Parker x Stark!Reader

Summary: y/n and Peter are used to decompressing after a mission together. This time, it isn’t so easy. What happens when they both have to figure it outout on their own?

warnings: crying, some angst, accidental pulling out of hair, slight ptsd

——————————————————————————

Exhausted. Aching. Bored. I couldn’t focus on a word that Dr. Banner was saying during our debrief. All I could do was sit back and stare at the wall until it was over.

I wasn’t even sure why I had to attend these meetings as I wasn’t technically even an Avenger. My dad insisted that I sit in because it’ll be useful to me in the future.

I tapped my foot, checking my watch, anxious to leave the conference room. I glanced across the table to my best friend, who looked just as exhausted as I felt. I definitely zoned out looking at him, because the next thing I noticed was him looking back at me with furrowed eyebrows, as if asking what’s wrong.

I let out a yawn in response, shooting a glance at the door and hoping he could read my thoughts. I just wanted to get out of there.

Missions can be fun sometimes, but the recovery is most certainly not. I’d typically spend about a day in bed before I could finally start functioning as a normal human being again. Usually that day in bed is spent with my best friend.

It started after a particularly rough mission about a year ago. Peter wasn’t even going out with us yet at that point, but he had just been sick— and we both desperately needed rest. I had gotten a minor injury to my ribs, and Peter being the sweetest best friend in the world decided to come check on me and bring me ice. He ended up falling asleep next to me for about 15 hours. My dad threw a tantrum.

Ever since then— as long as we’re sneaky enough— it has become a habit for us after we come back from missions. And maybe a few other occasions as well.

It was just easier to sleep next to someone else. Especially after the mental and emotional strain that missions bring. Being with someone who brings you comfort makes all the difference.

I swear I was already half asleep by the time the meeting finally ended, moving extra slowly as I got up and exited the room. I latched onto Peter's arm, leaning most of my body weight on him as we headed to the elevators.

Steve and Nat stayed behind, somehow still having more to discuss. They were nuts.

We entered the elevator with my dad and Thor. They each pressed their respective buttons, going to the floors of the compound that their rooms were on. I reached out as well, pressing the level 3 button for my room.

My dad stood up straight, moving in front of the elevator panel before glancing over at us and speaking, "Where you headed, Pete?"

Peter didn't have a real room at the compound yet, so he really should've been headed to the showers on level 1. Although, for the past year he has just been showering in my bathroom- not to my dad's knowledge of course.

"Uh-mm," he choked out smoothly.

I shook my head, speaking for him, "He's just going to shower in my bathroom, dad."

I could feel Peter tense against me, clearly afraid of my dad's reaction.

My father dramatically turned his head, using his palm to bang on his ear a couple times, before removing his ear piece all together and saying, "I'm sorry, I must have misheard you. It sounded like you just said that Spider-boy is showering in your bathroom."

I rolled my eyes, sighing, about to speak back when Thor spoke up, "Ah, Stark, let them have their fun. On Asgard I had many women bathing in my chambers by that age." He said, patting my father on the back.

I rolled my eyes, knowing Thor's comment is no help at all.

My father shook his head, facing me and sticking a scolding finger out at me, "You are not showering with your little boyfriend under my roof. Understood?"

I blushed, hating his phrasing. The elevator stopped, and Thor stepped forward, nodding awkwardly to us before exiting.

When the doors closed again, I rolled my eyes, turning to my father again, "First of all, we're not showering together," I said, using air quotes, "And second, he isn't my boyfriend. It's just easier to have someone there after these missions, you know that better than anyone, dad."

I crossed my arms, awaiting his response.

He shook his head, "Nope. Not today, kid. Pete, I'll escort you to the first floor showers."

The elevator door dinged, and it was my turn to leave. I glanced up at Peter, hoping that he would find a way to come back to my room later. He gave me a nervous look, so I wasn't too sure he would.

I squeezed his hand, exiting the elevator without looking back, but I could hear my dad mumbling something about "no spider-babies" as I walked away.

After a much-needed, very refreshing shower, I sat on my bed in my towel, feeling the weight of the past few days lingering over me like a storm cloud, ready to let loose at any moment.

Usually after missions Peter and I would immediately come to my room, and everyone was too exhausted to even pay attention. Today however, the debrief had taken so long that there was no easy way for us to come back together.

It felt lonely. I had a heavy feeling of emptiness in my heart. I hadn’t realized how much I’d gotten used to his presence at times like these. Even with the winding down after we got back— he had always been there. We’d sit in eachother’s comfortable silence, he’d comb my hair for me, we’d patch up eachother’s wounds, and then we’d fall asleep together.

I was embarrassed by how much this was affecting me. I was a Stark, I should’ve been okay being alone. And yet, I could feel tears stinging my eyes as I sat there, trying to comb out my own hair. My hands were shaking from a mixture of fatigue and frustration, making it even more difficult to get through the knots. Peter had always been so gentle.

My comb got stuck on a particularly tough knot. I tugged, causing clump of hair to come out, and I couldn’t hold back anymore. I instantly started sobbing.

I could feel my body trembling, desperately needing sleep and desperately needing company. I threw on the first clothes that I could find, knowing I looked crazy, and headed out into the hall in search of my best friend.

I cried, wiping my tears with the sleeves of my shirt, and shifted uncomfortably with the feeling of wet hair on my back. I felt overstimulated if the feeling of overstimulation was on steroids and a red bull.

I heard footsteps from the other end of the hall, and I sniffled, my voice cracking as I called out, “Peter?”

I felt pain in the side of my head, and I reached up to be reminded of the broken strands of hair that were now hanging sadly to the side. I sobbed again.

I didn’t hear a response, so I called out again, “Peter?”

Peter didn’t round the corner. Bucky did. I wiped my tears, knowing that I looked like a mess, and attempted to force a smile at him.

He frowned, running his hand through his own wet hair. “Oh, sweetheart, what’s wrong?” He asked gently, reaching out to me.

I immediately felt the lump in my throat grow as tears began streaming down my face again. I didn’t trust my words, so I just shook my head, looking at the ground.

“Do you want me to find Peter?” He asked gently, resting his hand on my shoulder.

I nodded, swallowing hard and trying to find my words. “Please,” I whispered.

He nodded, stepping forward to wrap me in a hug. I cried into his shoulder. It did give me a sense of comfort to be with anyone at this point. I knew I was just so over exhausted that my feelings were all messed up, but I knew I really needed Peter.

Bucky rubbed my back, trying his best to comfort me before slowly pulling away. “You gonna be okay if I go look for Peter?”

I nodded, wiping my tears again and said, “Thanks, Bucky. You’re the best.”

He smiled sadly, nodding and turned back to the elevator— hopefully in search of Peter. I didn’t care if the whole compound knew how much of a mess I was at this point if it meant he would come find me.

I walked back to my room, and the tears stopped. I felt numb, and exhausted. I left the comb on my nightstand. I couldn’t deal with that now. I turned off my lights and crawled into bed, shivering with pain— physical and emotional.

I’m not sure how long I layed there. It might’ve been five minutes, it might’ve been fifteen, but eventually I heard my door open and close quietly, and soft footsteps entered the room.

I felt the covers lift up, and the bed dipped next to me. I immediately sighed with relief, feeling his arms wrap around me. I could hear his breath shaking, and I pushed him back slightly, trying to see his face in the dark.

“What’s wrong baby?” I whispered, reaching behind me to turn on my lamp. My heart broke when I saw tears on his face, and I could see his expression drop even more when he looked into my swollen eyes.

He grabbed my hands, pulling me close and whispered, “I didn’t realize how much I’d gotten used to being with you after a mission,” he took a deep breath, trying to steady his breathing, “then Bucky found me when I was talking to your dad and he told me you needed me and I kind of lost it. You know that thing that happens when my senses freak out? It was like that but ten times worse.” I nodded feeling tears start to fall again when his voice cracked, “I’m sorry, I’m so sorry I wasn’t here.”

I shook my head, taking his face in my hands. “It’s okay, Pete, it’s okay. Are you doing okay now?”

He nodded, tucking his face into my hand. “I’m okay. Are you okay?”

I nodded, laughing and lifting one of my hands off of his face to find my broken section of hair. “I accidentally took some of my hair out.”

Instead of laughing, his face dropped in concern, and he then reached his own hands out to hold my face, “Oh, baby, I’m so sorry I wasn’t here.”

I shook my head, finding comfort in the warmth of his hands on my face, “You’re here now, it’s okay.”

He nodded, moving close and pressing a soft kiss to my forehead. I smiled, and closed my eyes at the soft gesture of affection.

When he pulled away, I opened my eyes and furrowed my eyebrows, realizing I must’ve missed something. “How’d you get my dad to let you up here?” I asked.

He sighed, “After Bucky told us how he found you, then I went into sensory overload, he kinda just sent me off.”

I raised my eyebrows in surprise, but didn’t respond.

“I think it hurt him,” Peter said, “hearing how upset you were.”

I nodded, yawning and moving closer to rest my head on his chest and he wrapped his arms around me. I finally felt safe again, and I felt a warm sensation in my chest.

Peter kissed the top of my head, whispering, “Get some sleep, angel.”

I nodded, hesitating for just a second. I knew what I wanted to say, we’d just never said it out loud before. I never knew if it was crossing the line past being just friends, but after today I didn’t care. I needed him to know.

“I love you, Peter.” I whispered, hugging him tightly.

“I love you too.” He answered without hesitation, hugging me back.

I smiled, sitting up to look at him, taking his face in my hands again.

“I love you,” I whispered again, seeing him smile as well.

“I love you, baby,” he whispered back, leaning into my touch.

Without thinking any more, I leaned in, pressing a soft kiss on his lips. When I pulled away, he was smiling at me with such a look of adoration that I almost teared up again.

I was about to lay back on his chest and go to sleep, but he gently took my face in his hands, returning another soft kiss to my lips. When we pulled away, we both blinked hard, looking at each other with so much love.

Finally, I laid my head back on his chest and we both fell into a deep sleep. It was almost fifteen hours later that I was awaken to my dad bursting into the room, saying, “Just because I was fine with it doesn’t mean you need to sleep together for fifteen hours. Get out Spider-boy.”

[turtle-paced]

if renly had managed to make margaery roberts mistress, do you think cersei would’ve been able to have her killed? She seems way to high profile but then again cersei managed to kill Robert

I mean, could she? Technically, sure. Would she? Cersei sucks at assassinations. In AGoT and just before, she didn't manage to deal with Stannis OR Renly OR Jon Arryn, all of whom were actively plotting against her. For months. Her assassination attempts on Robert were largely luck-based missions (albeit rooted in a solid understanding of Robert's weaknesses). She only managed to deal with Ned because my man hobbled up to her on his 1.5 functioning legs, stoned out of his gourd, and said "if you're still here in a week I'm going to start revealing secrets that will get you executed" and she still needed Littlefinger's help to manage the situation.

It is. Not a track record that inspires confidence in Cersei's ability to remove a high-profile, well-protected royal mistress without blowing up her own position too. To say the least.

[sillygoose343]

COD But If They Were Gen Z Brainrot Things

COD but if they're brainrot. (I don't know what possessed me to do this, uni exams are causing me to tweak).

I formally apologise to: Simon "Ghost" Riley, John Price, John "Soap" MacTavish, Kyle "Gaz" Garrick, Gary "Roach" Sanderson, Kate Laswell, Alejandro Vargas, Rodolfo "Rudy" Parra, Nikolai, Phillip Graves, König, Kim "Horangi" Hong-jin, Vladimir Makarov

i did NOT take this seriously 🥴im jit yapping

🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺

Ghost - monday left me broken

Soap's dead, Roach's dead, Mara's dead (in the mobile comics), monday left him broken.

If I were to recount *all* of the shit that he had to go through, I would be here for awhile but I know we know what our Ghost had experienced, he's broken but he's still kicking! Onto Tuesday, Wednesday!

So I think it's a fair assessment for him to be monday left me broken

I also think he listens to the song unironically sometimes

Captain Price - smurf cat

Do I really have to explain this one?

I guess COD nation sees Papa Smurf in him but the thing about smurf cat is that it has a hat, therefore it must be Price

The resemblance is uncanny sometimes (it's just a hat)

i don't have much to say, it's literally just appearance-based for this one

Soap - prime and lunchly

soap is the type of guy to walk into the recording studio and come out with "from the screen, to the ring, to the pen, to the king, where's my crown? that's my bling, always drama, when i ring. see i believe that if i see it in my heart, smash through the ceiling, 'cause i'm reaching for the stars." look me in my metaphorical eyes and tell me im wrong

he would be guzzling down the cherry freeze after a long hard day of training

he likes his cheese drippy bruh

he kinda looks like haley welch if you squint

Gaz - gaining aura

I LOVE GAZ RAAAAH

Look at him? He literally can't physically lose aura?

I'm biased towards Gaz

Even breathing can earn this man aura, there is something innately charismatic and charming about Gaz to the point that even if he trips on air or accidentally walks around with an open bag, typically aura-losing activities, he just wouldn't lose any.

Look at him

He is Kyle "Gaz" Garrick.

Roach - cooked

well, technically, 'cooked' typically indicates that a food item has been processed through fire, at least usually

but i guess this is using the brainrot terminology, still, that changes nothing

cooked in brainrot means to be struggling, done for or that the situation is just bad, the entire brazilian militia being after his ass after he fell from the roof was one of his most iconic moments, he had many cooked moments in the campaign but that one truly defined him, he was, in fact, cooked

literally and figuratively

Laswell - galvanised square steel

galvanised square steel is an extremely durable material, is able to transform even the smallest 1mx1m square apartment into a fully functional multi-purpose home with the assistance of eco-friendly wood veneers and

as ghost put it, "laswell's still solid as a rock" except, she's as solid as galvanised square steel

she's reliable, resilient and shes like the foundation as the galvanised square steel while 141 is like the eco-friendly wood veneers

Alejandro - oil up

one could say that all men in cod could represent 'oil up' but i think alejandro embodies the 'oil up' phrase

im actually just straight tweaking when i say this but i think he'd have a similar community to orange peanut's if he ever became an influencer, like different content but his comment section would be filled with 'when are you going to oil up'

i also think he'd be the kind of guy to gladly oil up on request, granted there was an ample amount of oil

Rodolfo - livvy dunne

rudy doesn't really strike me as a rizzer more like a rizzee (im tweaking so hard right now)

he seems like the type of guy to get rizzed up by baby gronk and then promptly train for his gymnastics or something

there's not much to comment on here, just that he looks like the type of guy to be rizzed

Nikolai - metal pipe sound effect

nikolai is unique in the sense that i think he encapsulates the metal pipe sound effect rather than a phrase or a brainrot figure

i have a feeling that during violence and timing gaz would agree with me

i have a feeling that the butcher in mw2019 would also agree with me

he's a menace but no brainrot compilation is the same without the metal pipe sound effect so :333

Phillip Graves - only in ohio

that gif shows up when i search for ohio

i feel like this one is very self-explanatory

in some instances gyatt and ohio can be used interchangeably so i would also consider him having the dual position of embodying gyatt and ohio at the same time, lucky bloke

König - alpha wolf

furry könig skin

furry wolf skin, no further commentary needed

Horangi - 99% of gamblers quit before they hit big

that is just what he did

Makarov - skibidi toilet

we have all seen the smile skin

skibidi toilet is evil incarnate, poisoning the minds of the children, even in the lore of skibidi toilet it is evil and direct antagonistic villains towards camera head people, sounds just like makarov

the smile skin is like the mould on lunchly cheese, its the outward thing you see but the evil of skibidi toilet like makarovs evil is like the mould spores inside the cheese

🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺🐺

it is now nearly 3am, im so failing my histology class man